Read + Write + Report
Home | Start a blog | About Orble | FAQ | Blogs | Writers | Paid | My Orble | Login

REVIEW | Bon Iver | Sydney Festival

January 25th 2009 14:00
Venue: City Recital Hall, Angel Place, Sydney

Date: 22nd January, 2009

Sydney Festival 2009

Bon Iver


Photo | Tim Lytvinenko



Bon Iver are a four piece band, Justin Vernon, Mike Noyce, Sean Carey, Matthew McCaughan, who come from North-western Wisconsin, USA. The force behind the group is singer-songwriter and multi-instrumentalist Justin Vernon who has been making heads turn by producing an album, Emma, forever Ago, with very little technology, a few instruments, and realizing an amazingly unique pastiche of sound. The moniker Bon Iver is an Anglicization and purposeful misspelling of the French greeting bon hiver which means good winter - a greeting he came across while watching Northern Exposure*.

These current songs developed out of the turmoil of the break-up of both Vernon’s long-term relationship and his band DeYarmond Edison(1). He stayed in his fathers' cabin, it was winter, and he was recuperating from liver disease. The songs were only meant to be demos to send to record companies to see if they would produce them but they received such an overwhelmingly agreeable response that Vernon decided to put together a band and start performing them. This was no easy task as the main song For Emma, Forever Ago, according to Vernon, needs a chorus of 80 - 500 people; he gets around this by having the audience sing and therefore the song takes on its' own life unique to the vibe of that room.(2)


The sound created by Bon Iver is unique. Vernon’s’ falsetto, which he uses on most songs and is a recent development in his repertoire, brings an angelic quality to the sound and is balanced out by the deeper harmonies of the three other musicians. Together their vocals are reminiscent of the complexities of country rock greats like the Amazing Rhythm Aces, Charlie Daniels Band and the like. Musically there is a mixture of instruments, guitars, organs, two drum kits, and bass guitar but they are not always used in a traditional manner. Quite often the instruments are used to give a percussive dissonant texture and at times the drum kits are played in opposing rhythms building to a powerful, driving, crescendo. As a sound the devises they use are refreshing and their performance is uncomplicated worth seeking out.

Peter McGill


(*) Northern Exposure at Wikipedia
(1) DeYarmond Edison
(2) Pitchfork Interview


48
Vote
Add To: del.icio.us Digg Furl Spurl.net StumbleUpon Yahoo


   
subscribe to this blog 


   

   


Recent Posts:
      The 2012 Laneway Festival 
      BED PERCUSSION 
      THE GRACEMAKERS 
      SPOKE 
      SUPER on DVD 
      20 GOLDEN GREATS! Bob Downe 
      Big Day Out 2012 Schedule 
      Heatwave Festival 
      The Black Seeds 
      Dresden Dolls TOUR 
      DUO 2CELLOS 
      THEE OH SEES 
      HOLLAND ‘NO CONTROL’ EP & TOUR DATES 
      KURT VILE & THE VIOLATORS 
      DAS RACIST 
      SONS & DAUGHTERS 
      NEW YORK’S FINEST TOUR 
      A CHORUS LINE 
      DIAMONDS ARE FOR TREVOR 
      DRUMS & CULTS 
More Posts
6 Posts
4 Posts
24 Posts
1053 Posts dating from February 2000
Email Subscription
Receive e-mail notifications of new posts on this blog:
0

David Jobling's Blogs

34870 Vote(s)
19 Comment(s)
620 Post(s)
37740 Vote(s)
124 Comment(s)
596 Post(s)
51790 Vote(s)
353 Comment(s)
764 Post(s)
18413 Vote(s)
11 Comment(s)
286 Post(s)
Moderated by David Jobling
Copyright © 2012 On Topic Media PTY LTD. All Rights Reserved. Design by Vimu.com.
On Topic Media ZPages: Sydney |  Melbourne |  Brisbane |  London |  Birmingham |  Leeds     [ Advertise ] [ Contact Us ] [ Privacy Policy ]