CREAMIER
July 8th 2010 01:50
Phaidon Press to Publish
CREAMIER
Contemporary Art in Culture
Phaidon Press announce CREAMIER: Contemporary Art in Culture (released June 2010; $59.95), the latest in Phaidon's world renowned Cream series, following Cream (1998), Fresh Cream (2000), Cream 3 (2003) and Ice-Cream (2007).
For each new book 10 prominent international curators are invited to select 100 contemporary artists who they consider to be the most exciting working today. As has been the case with the previous four Cream books, the world will be talking about the artists presented in CREAMIER for years to come.
Innovative design is a key feature of the series, and CREAMIER is no exception. Printed in an unbound, newspaper format and packaged in a luxurious portfolio, CREAMIER presents the latest “art news”. This book will appeal to contemporary art collectors, art lovers, and anyone tuned in to the international contemporary art scene.
From the front page of CREAMIER, the 10 curators discuss the global recession and how it has affected the market and artistic practice. The conversation offers an intriguing variety of perspectives, with curators from a variety of international leading arts organisations such as Tate Modern, London, MACBA, Barcelona and the Hammer Museum, Los Angeles. Overall, the conversation, which also explores the selection process for the book, is optimistic and serves as an enticing introduction to the 100 featured artists.
There are no limitations on age, geography or medium when it comes to the artists chosen for inclusion in CREAMIER. For example, Anna Molska (b. 1983), born in Prudnik and living in Warsaw, Poland features alongside Rubens Mano (b. 1960) who was born and still lives in São Paulo, Brazil. In terms of media, the spectrum is also wide, ranging from video artists, painters and sculptors to performance and installation artists.
There are even artists who use socks, shoe racks and silver tinsel for example in Haegue Yang’s Series of Vulnerable Arrangements - Domestics of Community (2009) and bread in Tonico Lemos Auad’s Pigeon Portrait/Amada (2008).
Authors
Douglas Fogle - Chief Curator and Deputy Director of Exhibitions and Public Programs at the Hammer Museum, Los Angeles.
Elena Filipovic - Previously the co-curator of the 5th Berlin Biennial and co-edited 'The Manifesta Decade: Debates on Contemporary Art Exhibitions and Biennials in Post-Wall Europe' (2006).
Yukie Kamiya - Chief Curator of the Hiroshima City Museum of Contemporary Art, Japan.
Inés Katzenstein - Independent curator based in Buenos Aires. She was co-curator of the 6th Mercosul Biennial, Brazil and formerly Curator of the Museo de Arte Latinoamericano de Buenos Aires (MALBA).
Chus Martínez - Chief Curator of the Museu d'Art Contemporani de Barcelona (MACBA) and formerly the Director of the Frankfurter Kunstverein.
Kitty Scott - Director of Visual Arts, the Walter Phillips Gallery and the Banff International Curatorial Institute at the Banff Centre, Canada. Formerly Chief Curator at the Serpentine Gallery in London and Curator of Contemporary Art at the National Gallery of Canada.
Debra Singer - Director and Chief Curator of The Kitchen, New York and co-curator for the 2004 Whitney Biennial.
Adam Szymczyk - Director of Kunsthalle Basel. He was co-curator of the 5th Berlin Biennial and the former Curator of the Foksal Gallery Foundation, Warsaw.
Catherine Wood - Curator of Contemporary Art and Performance at Tate Modern, London where she was co-curator of 'Pop Life: Art in a Material World' (2009) and 'The World as a Stage (2007).
Tirdad Zolghadr - Independent curator and writer based in Berlin. He curated the United Arab Emirates pavilion, Venice Biennale (2009) and was co-curator of the 2005 Sharjah Biennial.
Contents
A discussion between the 10 curators, followed by 1-2 pages spreads for each of the 100 selected artists.
A ‘Source’ section of 10 key influences selected by the curators, including films, historical artworks and theoretical texts.
Title Information
Title Creamier: Contemporary Art in Culture
Contributors Douglas Fogle, Elena Filipovic, Yukie Kamiya, Inés Katzenstein, Chus Martínez Kitty Scott, Debra Singer, Adam Szymczyk, Catherine Wood, Tirdad Zolghad
ISBN 978 0 7148 5683 4
Extent 296 Pages
Retail Price $59.95
Binding Unbound broadsheets in card portfolio
Publication Date June 2010
Illustrations 700 colour illustrations
Size 16 ½ inches x 11 5/8 inches
CREAMIER
Contemporary Art in Culture
Phaidon Press announce CREAMIER: Contemporary Art in Culture (released June 2010; $59.95), the latest in Phaidon's world renowned Cream series, following Cream (1998), Fresh Cream (2000), Cream 3 (2003) and Ice-Cream (2007).
For each new book 10 prominent international curators are invited to select 100 contemporary artists who they consider to be the most exciting working today. As has been the case with the previous four Cream books, the world will be talking about the artists presented in CREAMIER for years to come.
Innovative design is a key feature of the series, and CREAMIER is no exception. Printed in an unbound, newspaper format and packaged in a luxurious portfolio, CREAMIER presents the latest “art news”. This book will appeal to contemporary art collectors, art lovers, and anyone tuned in to the international contemporary art scene.
From the front page of CREAMIER, the 10 curators discuss the global recession and how it has affected the market and artistic practice. The conversation offers an intriguing variety of perspectives, with curators from a variety of international leading arts organisations such as Tate Modern, London, MACBA, Barcelona and the Hammer Museum, Los Angeles. Overall, the conversation, which also explores the selection process for the book, is optimistic and serves as an enticing introduction to the 100 featured artists.
There are no limitations on age, geography or medium when it comes to the artists chosen for inclusion in CREAMIER. For example, Anna Molska (b. 1983), born in Prudnik and living in Warsaw, Poland features alongside Rubens Mano (b. 1960) who was born and still lives in São Paulo, Brazil. In terms of media, the spectrum is also wide, ranging from video artists, painters and sculptors to performance and installation artists.
There are even artists who use socks, shoe racks and silver tinsel for example in Haegue Yang’s Series of Vulnerable Arrangements - Domestics of Community (2009) and bread in Tonico Lemos Auad’s Pigeon Portrait/Amada (2008).
Authors
Douglas Fogle - Chief Curator and Deputy Director of Exhibitions and Public Programs at the Hammer Museum, Los Angeles.
Elena Filipovic - Previously the co-curator of the 5th Berlin Biennial and co-edited 'The Manifesta Decade: Debates on Contemporary Art Exhibitions and Biennials in Post-Wall Europe' (2006).
Yukie Kamiya - Chief Curator of the Hiroshima City Museum of Contemporary Art, Japan.
Inés Katzenstein - Independent curator based in Buenos Aires. She was co-curator of the 6th Mercosul Biennial, Brazil and formerly Curator of the Museo de Arte Latinoamericano de Buenos Aires (MALBA).
Chus Martínez - Chief Curator of the Museu d'Art Contemporani de Barcelona (MACBA) and formerly the Director of the Frankfurter Kunstverein.
Kitty Scott - Director of Visual Arts, the Walter Phillips Gallery and the Banff International Curatorial Institute at the Banff Centre, Canada. Formerly Chief Curator at the Serpentine Gallery in London and Curator of Contemporary Art at the National Gallery of Canada.
Debra Singer - Director and Chief Curator of The Kitchen, New York and co-curator for the 2004 Whitney Biennial.
Adam Szymczyk - Director of Kunsthalle Basel. He was co-curator of the 5th Berlin Biennial and the former Curator of the Foksal Gallery Foundation, Warsaw.
Catherine Wood - Curator of Contemporary Art and Performance at Tate Modern, London where she was co-curator of 'Pop Life: Art in a Material World' (2009) and 'The World as a Stage (2007).
Tirdad Zolghadr - Independent curator and writer based in Berlin. He curated the United Arab Emirates pavilion, Venice Biennale (2009) and was co-curator of the 2005 Sharjah Biennial.
Contents
A discussion between the 10 curators, followed by 1-2 pages spreads for each of the 100 selected artists.
A ‘Source’ section of 10 key influences selected by the curators, including films, historical artworks and theoretical texts.
Title Information
Title Creamier: Contemporary Art in Culture
Contributors Douglas Fogle, Elena Filipovic, Yukie Kamiya, Inés Katzenstein, Chus Martínez Kitty Scott, Debra Singer, Adam Szymczyk, Catherine Wood, Tirdad Zolghad
ISBN 978 0 7148 5683 4
Extent 296 Pages
Retail Price $59.95
Binding Unbound broadsheets in card portfolio
Publication Date June 2010
Illustrations 700 colour illustrations
Size 16 ½ inches x 11 5/8 inches
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