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REVIEW
Fri 21 Nov, 10pm
The Gov, Adelaide


MARTHA WAINWRIGHT

Martha Wainwright is a wonderful singer and her down to earth personality is always somewhat droll. She bemoaned that she'd spent the day in Adelaide in bed, and joked about the whole serial-killer thing here... until a local shouted out that we were all "glad to see her", when she got the idea it would be best to move on. That she certainly did, without leaving any strange question hanging of why that sort of a joke she simply requested more beers for the band and got on with the show. It was a windy balmy night in serial killer central, and we were out in force to appreciate the great and spirited Martha.

Her new material mixed in with her old, and her voice as ever captures great depth and emotion. Perhaps some of the melodies she naturally resounds creep over from one song to another, but I think it's that lilt and stream of sounds that ground her, and us in the listening.

I couldn't say I've seen her all by herself before, so I did hanker for moments in the past when I've seen her in concert with brother Rufus and mother Kate, or on stage for Came so far for beauty at the Opera House in 2005. However having said that - she held her own without the need of any support as such, and the support she received from the band was excellent.

I think everyone at The Gov had themselves a great and adorable time in spite of a cold and windy night, Martha shared the great resonance of her warmth and noone went homew without a special glow.

David Jobling



MARTHA WAINWRIGHT IN AUSTRALIA NOVEMBER

I interviewed her brother Rufus when he was over and the two of them were doing the Leonard Cohen Tribute, Came so far.... Make no mistake both siblings are great on stage and I'd say it's because they have both been involved in the music and entertainment industry on account of their show biz folks, since they were kids. This will be a concert not to be missed.

David Jobling



“Martha Wainwright excels at both singing and songwriting, and earns herself a spot among this decade’s foremost performers.” Popmatters.com

“…a grand, glowering gravitas – part Patti Smith, part Leonard Cohen” Uncut Magazine

“…taking music and wringing from it a startling wealth of shiver-inducing moments.” Pitchfork Media

“Wainwright moves amid prettily finger-picked folk-rock and more eccentric arrangements” NY Times

“…her stage presence suggests several things at one time - defiant and strong, yet with an edge of sadness and vulnerability as well.” Spin Magazine

As part of the famous Wainwright/McGarrigle musical dynasty, Martha Wainwright was engulfed in a sea of music from childbirth. But the Brooklyn-based chanteuse has cemented her claim as a bona-fide artist in her own right.

Following the release of her sophomore album, I Know You’re Married But I’ve Got Feelings Too, Martha Wainwright and her full band are returning to Australia in November 2008.

Disbanding her initial career choice as an actor when she realized her priorities lay with songwriting, the Montreal native moved to New York City where her burgeoning singer-songwriter career began. Performing in bars and coffee-houses across the city, her signature raw stage presence blossomed and bloomed into the rousing live performer we see today.

With a constantly changing timbre of depth, Wainwright displays a remarkable polarity between songs of harrowing despair that also show a sense of spontaneity and playfulness. It is this striking mixture of light and shade and her ability to conceptualize, tackle and achieve dynamic arrangements that marry so beautifully with her heartfelt lyrics of remarkable candour and acrimonious humour.

She can, within a single verse, play both angel and demon.

On Wainwrights’s second album, I Know You’re Married But I’ve Got Feelings Too, she is joined by legendary figures including Pete Townsend, The Band’s Garth Hudson, Donald Fagen from Steely Dan, as well as Rufus, mum and aunt Kate and Anna McGarrigle respectively, and cousin Lily Lakin - another rising star of the lineage. Though an impressive lineup, they serve as a backdrop to what is a compelling one-woman show.

Embarking on a European tour with her band in October before heading to Australia, this show is one not to be missed.

AUSTRALIA TOUR DATES – OCTOBER 2008
Wed 12 Nov Enmore Theatre, Sydney
ticketek.com.au 132 849
Thu 13 Nov The Forum, Melbourne
ticketek.com.au 132 849
Sat 15 Nov Meeniyan Hall, Meeniyan
lyrebirdartscouncil.com 03 5664 9239
Tue 18 Nov The Tivoli, Brisbane
ticketek.com.au 132 849
Wed 19 Nov Wrest Point, Hobart
wrestpoint.com.au 1300 795 257
Fri 21 Nov The Gov, Adelaide
thegov.com.au 08 8340 0744
Sat 22 Nov Fly By Night, Fremantle
moshtix.com.au 1300 438 849
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Review | POEM OF KUNGFU

October 28th 2008 08:24
EVIDENTLY THIS SHOW HAS BEEN CANCELLED


Review | Poem of KungFu - Nine Scrolls

Star City Theatre – Star City Casino, Sydney
Thursday, 23rd October, 2008.




Poem of Kung-Fu is a journey through nine scrolls, Purity; Sutra; Diligence; Intelligence; Listening; Shape; Calmness; Devotion; and Paradise. The director, Liu Zhen, has created an exciting mix of martial arts, dance, and story telling that gives an insight into the touching journey of a young monk from his initiation, through the hardship of a lifestyle which is fraught with peril, to his self-realisation.

Kung-Fu is a generic term for the martial arts of China and is most notably known as Shoalin Kung-Fu. Originally called Ch’uan Fa which means ‘fist way’ it was known as a combat art in various parts of China until it began to develop in the Shoalin temples by monks whose main purpose for being in a monastery was to take refuge from the law. There were five styles of Kung-Fu which evolved in five Shoalin temples located in five provinces. Later it divided into two distinct schools, north and south, which was relevant to the two strongest Chinese cultures, Mandarin in the north, and Cantonese in the south. The style of movements became directly related to the physiology of the practitioners, that being those in the south using low stances and kicks with fast hand techniques because of their shorter stature, and those from the north developed restricted hand movements, due to the nature of their thicker clothing necessary for warmth, and strong leg movements including acrobatics with multiple kicks.

In this production there are twenty seven performing practitioners who will amaze you with their athleticism and precise techniques which have been orchestrated into a dance and movement work of art. There are several main artists leading each segment and two principal performers around which the story revolves, Master Li Brolin, the guiding monk, and Maio Shuaifeng, the apprentice, who at just ten years old accomplishes everything the elder monks execute and more.

Each Scroll is preceded by a potent narration told by actor Tony Barry and expressed in music by pianist Ester Balasch Lozano and vocalist Cherie Valaray. Poem of Kung-Fu is an awe inspiring work, an exciting night at the theatre with astounding physical feats through a poignant journey with humour and insight – a great nights’ entertainment!

Peter McGill


Star City are proud to present for the first time ever in Australia

POEM OF KUNGFU - Nine Scrolls




- a spectacularly original dance theatre piece direct from Beijing that combines Chinese KungFu with Chinese dancing.

This award winning production will take you on an historical and cultural journey featuring 27 performers, including 10 year old Miao Shuaifeng and star of the show Li Bolin, extraordinary physical movements, original dance routines amid a sea of vivid colours.

POEM OF KUNGFU - Nine Scrolls will be seen at Star Theatre for a limited season opening on Thursday 23 October.

POEM OF KUNGFU will be directed by well-known Chinese Body Art Master Liu Zhen who explains:

We have chosen to call this POEM OF KUNGFU Nine Scrolls because poetry is like Kung Fu, it can be abstract and real at the same time. The Nine Scrolls (Purity, Sutra, Diligence, Intelligence, Listening, Shape, Calmness, Devotion, Paradise) are presented like a poem of prose taking the audience on a journey through joy, sadness, anger, euphoria; one moment mystical, full of grace and whimsy, the next powerful and dramatic.

Life's daily rituals, such as the simple act of drinking a bowl of soup are transformed into a magical experience that will have audiences laughing one moment and gasping the next as they witness the masterful choreography and daring exploits of these highly skilled performers.

Venue: STAR THEATRE

Star City, 80 Pyrmont Street, Pyrmont

Preview: Wednesday 22 October 2008

Season: Thursday 23 October

Performances: Wednesday to Saturday 8pm; Saturday 2pm; Sunday 2pm & 6pm
Prices: $49.90 to $79.90 plus special Schools price $39.90
$199 Family of four includes full gourmet Buffet

Bookings: 1300 795 267or ticketmaster.com.au
Groups of 8 (02) 8512 9020
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Phillip Johnston and the Coolerators


VENUE: Riverside Theatres

DATE: Sunday 4 October at 7.30pm 2008

Parramatta Riverside Theatres

Phillip Johnston is originally from the U.S.A. and now lives in Australia. He is an accomplished saxophonist as well as being an arranger and composer of jazz and contemporary music; he has also composed for a multitude of genres such as silent film, theatre, and dance and been the force behind the ensembles the Microscopic Septet (whose back catalogue was re-released in 2006 by Cuniform Records), Big Trouble, and The Transparent Quartet. He recently collaborated with Hilary Bell, who wrote lyrics, on the silent film soundtrack Faust by F.W. Mumau, and has taught composition at the Steinhardt School of Music at New York University.
Caricature by Mathew Martin
Sam Golding on the tuba adds a dynamic bass note that accentuates the swing elements and balances the timbre of the group. His musical interests include Senegalese Mbalax, Cuban Son, Caribbean Steel Pans, Cabaret, Symphony Orchestras, Classical Brass Trios and Classical Hindustani Bansouri, and Reggae. Other groups he has performed with are Jackie Orszaczky’s Budget Orchestra, Chosani Afrique, Monsieur Camembert, Sydney Conservatorium Big Band, Nadya Golski and the 101 Candles Orkestra, The S-Bend, and the Sydney University Orchestra.

jazz and swing with a splattering of funk
that is all class

Peter McGill


Toby Hall's percussion provides an abundant backbone for the quartet. Highly sort after as a drummer he has worked with the cream of Australian jazz musicians, Don Burrows, Paul Grabowsky, Bernie McGann, Phil Slater, and Vince Jones amongst the mix. He has also been engaged by top international artists such as Charles Mingus, Doug Cameron, and Sheila Jordan. Hall’s ability to play intuitive intricate rhythms and time signatures on the backbeat with distinctive and stylish elegance is an exciting feature of the group. His personality on stage also brought a welcome element of humour to the night’s entertainment.

Alister Spence is well known on the Australian jazz circuit with his group the Alister Spence Trio. He is a pianist and composer of renown and has also worked with Don Burrows and Bernie McGann, as well as a diverse range of Australian music luminaries like Ed Kuepper, Archie Roach, Paul Capsis, and Dale Barlow. He co-led the internationally recognised Clarion Fracture Zone and has contributed richly to the Australian recording industry with many of his contributions winning Australian Jazz Album of the Year.

Phillip Johnston and the Coolerators are consummate musical artists, they present a unique style of jazz performance that is relaxed, smooth, and eloquent with phrasing that bursts forth intricate improvisations in jazz and swing with a splattering of funk that is all class - for the uninitiated and jazz aficionados alike a delight to imbibe.

Peter McGill



Band Website

Band Members
Phillip Johnston: alto, soprano saxophones
Alister Spence: organ
Steve Arie: bass
Toby Hall: drums
The Coolerators is a Sydney-based quartet, led by New York expatriate Phillip Johnston, combining the organ-based “groove jazz” style identified with Jimmy Smith, Brother Jack Macduff & Dr. Lonnie Smith with more contemporary and idiosyncratic influences.

The repertoire features originals and reinvented cover tunes. It features some of Sydney’s best-loved jazz musicians: Alister Spence, organ, Steve Arie, bass, and Toby Hall, drums.
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WICKED | Vale | Rob Guest

October 3rd 2008 22:04
VALE | Rob Guest (1950 - 2008)

Rob Guest (1950 - 2008)

[ Click here to read more ]
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REVIEW | Risky Lunar Love

September 22nd 2008 04:19
Luke Milton’s
Risky Lunar Love

[ Click here to read more ]
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REVIEW: The DC Vault (LINK)

September 3rd 2008 13:32

The DC Vault
by Martin Pasko

[ Click here to read more ]
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Cassingle is the new CD! (LINK)

July 16th 2008 06:12
David McCormack


Cassingle
is the new CD release from David McCormack. It is something to nibble on whilst you are having a pre-dinner drink. Expect a full album later in 2008. And DON’T PANIC if you have NO IDEA how to create your own cassette from this CD, Jewel Case and (He)artwork – David has kindly supplied all the necessary instructions in the 10 How To Tips supplied. You might need to look up a dictionary under “cassette”. Others will fondly recall their first time recording a record to cassette many years ago


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Tamam Shud (LINK)

July 16th 2008 05:37
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Sex and the City: The Movie
by Amy Sohn


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THE LAZY KINGS

January 9th 2005 07:34
Tonight and tomorrow night I'm appearing as a Rat (part of the Queen of the Witches Parade) in THE LAZY KINGS the official opening ceremony of the SYDNEY FESTIVAL - it's a free show - we did it last night for a crowd of 30,000 or so - some estimates are 40,000 - so there were lots of people... Here is a photograph of the contraption I walk in.


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