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Phillip Johnston and the Coolerators


VENUE: Riverside Theatres

DATE: Sunday 4 October at 7.30pm 2008

Parramatta Riverside Theatres

Phillip Johnston is originally from the U.S.A. and now lives in Australia. He is an accomplished saxophonist as well as being an arranger and composer of jazz and contemporary music; he has also composed for a multitude of genres such as silent film, theatre, and dance and been the force behind the ensembles the Microscopic Septet (whose back catalogue was re-released in 2006 by Cuniform Records), Big Trouble, and The Transparent Quartet. He recently collaborated with Hilary Bell, who wrote lyrics, on the silent film soundtrack Faust by F.W. Mumau, and has taught composition at the Steinhardt School of Music at New York University.
Caricature by Mathew Martin
Sam Golding on the tuba adds a dynamic bass note that accentuates the swing elements and balances the timbre of the group. His musical interests include Senegalese Mbalax, Cuban Son, Caribbean Steel Pans, Cabaret, Symphony Orchestras, Classical Brass Trios and Classical Hindustani Bansouri, and Reggae. Other groups he has performed with are Jackie Orszaczky’s Budget Orchestra, Chosani Afrique, Monsieur Camembert, Sydney Conservatorium Big Band, Nadya Golski and the 101 Candles Orkestra, The S-Bend, and the Sydney University Orchestra.

jazz and swing with a splattering of funk
that is all class

Peter McGill


Toby Hall's percussion provides an abundant backbone for the quartet. Highly sort after as a drummer he has worked with the cream of Australian jazz musicians, Don Burrows, Paul Grabowsky, Bernie McGann, Phil Slater, and Vince Jones amongst the mix. He has also been engaged by top international artists such as Charles Mingus, Doug Cameron, and Sheila Jordan. Hall’s ability to play intuitive intricate rhythms and time signatures on the backbeat with distinctive and stylish elegance is an exciting feature of the group. His personality on stage also brought a welcome element of humour to the night’s entertainment.

Alister Spence is well known on the Australian jazz circuit with his group the Alister Spence Trio. He is a pianist and composer of renown and has also worked with Don Burrows and Bernie McGann, as well as a diverse range of Australian music luminaries like Ed Kuepper, Archie Roach, Paul Capsis, and Dale Barlow. He co-led the internationally recognised Clarion Fracture Zone and has contributed richly to the Australian recording industry with many of his contributions winning Australian Jazz Album of the Year.

Phillip Johnston and the Coolerators are consummate musical artists, they present a unique style of jazz performance that is relaxed, smooth, and eloquent with phrasing that bursts forth intricate improvisations in jazz and swing with a splattering of funk that is all class - for the uninitiated and jazz aficionados alike a delight to imbibe.

Peter McGill



Band Website

Band Members
Phillip Johnston: alto, soprano saxophones
Alister Spence: organ
Steve Arie: bass
Toby Hall: drums
The Coolerators is a Sydney-based quartet, led by New York expatriate Phillip Johnston, combining the organ-based “groove jazz” style identified with Jimmy Smith, Brother Jack Macduff & Dr. Lonnie Smith with more contemporary and idiosyncratic influences.

The repertoire features originals and reinvented cover tunes. It features some of Sydney’s best-loved jazz musicians: Alister Spence, organ, Steve Arie, bass, and Toby Hall, drums.
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REVIEW | Risky Lunar Love

September 22nd 2008 04:19
Luke Milton’s
Risky Lunar Love

Directed by John Sheedy

Reviewed by Peter McGill



RISKY LUNAR LOVE
CarriageWorks’
Bay 20 theatre
limited season.

Risky Lunar Love is written by Luke Milton and made its' first appearance in 2002 as a university project in Perth. The concept is a musical theatre sci-fi extravaganza which involves a sex goddess from outer space who has a whole planet of Venus babes that need seeding. The goddess manipulates two rival earthbound sci-fi writers into being her donors but before she commits to either one she has to be sure that they are up to the task.

The show is risqué, with an 18 rating, funky, retro, sci-fi, and contemporary. While Milton’s script is pure unashamedly 50’s sci-fi B-grade movie the production design by Gypsy Taylor, who has worked on Moulin Rouge, is a blast fusion of 50’s retro kitsch with a neon contemporary vogue. It has twists and turns, astounding characters, and Rabelais-esque debauchery all over the place, all driven by the magical powers of a Tiki.

There is a potent sense of familiarity with the Rocky Horror Picture Show in the storyline as well as the stylized movement and choreography by John O’Connell who has also worked on Rocky Horror and Moulin Rouge.

A highlight of the production is the live original music. Brent Hill wrote the basis of the score then collaborated with Ross Johnston, from Machine Gun Fellatio. Together they worked on seventeen of the eighteen musical numbers. The band and the music are a dynamic powerhouse of auditory sensation. The musical virtuosity carries the action and adds to the funky flavour.

Director John Sheedy has melded these elements and realized a wacky, out-there, sexy, sci-fi romp which is trying hard to push the boundaries of musical theatre. The performers work well as an ensemble.

Risky Lunar Love is an exciting new Australian adult musical.

Peter McGill.


Risky Lunar Love
Writer Luke Milton
Director John Sheedy
Producer Oliver Wenn
Original Music Brent Hill
Musical Director Ross Johnson
Choreographer John O’Connell
Designer Gypsy Taylor
Cast
: Eliza Anderson, Don Christopher, Shannon Dooley, Ryan Gibson, Sheridan Harbridge,
David Hynes, Julia Ohannissian, Mark Pound, Emma Palmer, Nick Simpson Deeks, Lauren Rutherford, Melle Stewart, Lucy Taylor, Amy Usherwood, Sophie Webb.

Carriageworks Bay 20 Theatre

From Monday 15 September
15 September- 4 October
Media night Thursday 18 September
Tue - Fri & Sun 8pm, Sat 5pm & 9pm.
Preview Monday 15 September $29.00(Unreserved)
Function Nights 1 & 2- $35 Stalls & $45 Table (Unreserved)
A Reserve $45.00
B Reserve $30.00
Premium Reserve $55.00
Tables including food and wine service
Table $95 per head (min two persons)
Group of 4 $365
Group of 8 $720.00
Menu options available when booking
Bookings: ticketmaster.com.au or 1300 723 038



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Tamam Shud (LINK)

July 16th 2008 05:37
Tamam Shud



Goolutionites and the Real People

The words tamam shud are taken from the Rubaiyat of Omar Khayyam and they mean: the very end. The band Tamam Shud were gigging around the East coast of Australia in the 1960’s and their music was heavily supported by film maker Paul Witzig who used much of their work in his ground breaking surf movie Evolution and others.



Newly released on CD for the first time Goolutionites and the Real People includes eight bonus tracks including tracks from the surf movie Morning of the Earth and a selection of live recordings from a gig at the Regent Theatre, South Yarra 1971.

The album is fresh and funky in so many ways. The line up over their relatively short life was: Lindsay Bjerre [gtr,vcls] 1967-72, Peter Barron [bs] 1967-72, Dannie Davidson [dr] 1967-70, Larry Duryea (aka Larry Taylor) [congas], Tim Gaze [gtr, vcls] 1970-2, Bobby Gebert [kbds] 1971, Richard Lockwood [sax, flute, clarinet] 1972, Nigel Macara [dr] 1970-72, Kevin Sinnott [dr] 1970, Kevin Stevenson [reeds] 1970, Alex 'Zac' Zytnic [gtr] 1967-70.

The band has obviously been influenced by 60’s musicians Jimi Hendrix, Cream, The Doors and the whole San Francisco movement that discovered and popularized LSD, and their cover notes to this brilliant album aren’t afraid of saying so. Just one 76 minute session listening to Goolutionites and the Real People is likely to make you feel like you’re there, off your face and ready to hit the Uni Bar. It’s down right excellent!

Young cynics may hear it as music to destroy the planet by, but that’s not really the case. Australian youngsters in the 60’s and 70’s were just starting to protest against a lot of the darker things becoming obvious, including war, old growth forests, over population, the slaughter of whales and the mining of uranium… there were plenty of issues to protest against and a great willingness to create Australian experiences that were just as real and valid to the individual as the American or UK experience – thus – music that is honestly Australian but sounds like so many bands from far away in space and time. The lyrics are just as cutting now as they may have been back in the day – possibly more so because in so many ways this is a time capsule for Australian kids particularly to get a grip on what has come before them.



With so much diversity on the Australian music front these days, and the enormous influence of our multicultural society has had on the breaking out of new sounds it’s great to go back and hear something like this.

I highly recommend it to anyone who likes funky acid-rock with an authentic retro feel to it. One of the slickest and entertaining albums to come out for some time, Goolutionites and the Real People is a cracker!
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Sex and the City: The Movie
by Amy Sohn


[ Click here to read more ]
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THE LAZY KINGS

January 9th 2005 07:34
Tonight and tomorrow night I'm appearing as a Rat (part of the Queen of the Witches Parade) in THE LAZY KINGS the official opening ceremony of the SYDNEY FESTIVAL - it's a free show - we did it last night for a crowd of 30,000 or so - some estimates are 40,000 - so there were lots of people... Here is a photograph of the contraption I walk in.


[ Click here to read more ]
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