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REVIEW * Iron Man 2

April 29th 2010 00:53
The review is at the bottom of the page.


Well the Press Kit certainly made a big splash on the bloggsphere. Quite a few folks are so excited about Iron Man 2 bursting into cinemas they simply had to report on how value packed the Press Kit was.

Evidently a full box, big enough to contain a portable television arrived, printed in full colour on the outside - the Iron Manhimself. Inside - lots of toys. Crap mainly, unless you are a kid, or a kid at heart - or a really geeky film buff who wants to salivate over the opening of a movie. I am looking forward to seeing the film myself, but I'm not getting too het up about it. I expect a good film based on the first.


Iron Man 2 will be a good film; it has no choice. The cast is like butter. Pure butter. Every one of them would melt in your mouth one way or another - but nothing will convince me, short of a really bad film, that Robert Downey Jr could possibly stay connected and involved if it were crap. He has had such a rocky career - good for him. Every difficulty etched into his beautiful handsome expressive face. The way he is aging at this stage of his life makes him all the more strong as a character actor, and he certainly is one great character actor. I'd put himself and Johnny depp up on the same shelf. Quite different in every respect, but both of them act well. Soapdish is my favourite Downey Jr film with Fur and Chaplin standing alonside. There's no way I can say there is one film that shines above all the others (that I've seen yet) individually. These three are my top favourites, and then seriously, pretty much everything I've seen him in, I've really enjoyed his work. Tropic Thunder is hilarious, I love it; I thought he was extremely funny. I didn't realise for most of the film that it was him. I saw it on DVD, not in cinema release. I'm expecting to catch Iron Man 2 pretty soon, so I'll post a review here later. Keep reading and see what you think of what I thought.


I'm glad they didn't go stupid and battle to push IRON MAN 2 into the 3D screen maze. It would be good if the series stayed away from all of that I think, however the market value of IRON MAN 3D is probably way too high to consider they'd steer clear of making us wear funny glasses and risk a headache for long, after all it's not the same, IRON MAN 4 in 3D would just look silly.



filmschoolrejects.com IRON MAN 2 Gallery


Well I had a feeling it was not going to be a bad movie and I was right. In fact as far as super hero movies go - I think IRON MAN 2 has lifted the whole game somewhat. It will one day be looked at by film buffs and writers as the shift in tone that provided a clue to anyone trying to crack the code of how to write a very good script for a blockbuster in this genre.

Tony Stark (Robert Downey Jr) spends the best part of the film trying to stay alive, but not because of bad guys - his own advanced life saving technology is killing him. This certainly makes for some tension, almost as much as you need really since Tony is such a crowd pleaser of a character. He is full of dry comment that simply stabs at the funny bone. Brought up in a wealthy environment, he knows nothing of waiting in line or being put on hold; his attitude rises every time anyone provides him with a reason to buck. The thought of him ending up dead so soon... well it is not a nice thought. He is however demonstrating a slightly too flippant devil-may-care attitude which does get him brought before a government hearing.

Sam Rockwell, an actor with a devoted fan base plays one of the sods who causes Tony to buck a little - Justin Hammer. Hammer leads the weapons race, well, he's just behind Stark Enterprises, until he manages to get hold of one of the Iron Man suits. His answer to bringing world peace is to create robot drones who will fight, but of course it's not his idea; Hammer is a man short on ideas but generally very amusing when it comes to the silly walk stakes (he pulls some beauties). Arriving pretty much out of the blue is Ivan Vanko (played to perfection by Mickey Rourke) who builds his own version of the Iron Man suit - but I'm not going to spill too much and spoil it for everybody so read on fearlessly.

Add to this already impressive collection of actors some extremely beautiful and talented women, Gwyneth Paltrow is back as Virginia Pepper Potts, and she is assisted to some degree by the astonishingly agile Natasha Romanoff (Scarlett Johansson) a.k.a. The Black Widow. Here is where the script and overall story arc is really smart - so smart it makes many of the previously released series of films (Superman, Batman cira. 1980's and X-Men) look a little stilted.

We know S.H.I.E.L.D. exists, it's in the comic books, it's quaintly tagged on to the end of IRON MAN the first film... well now there's a real interaction between S.H.I.E.L.D. Strategic Homeland Intervention Enforcement and Logistics Division and Iron Man - but wait there's more, and it will all come out later - in other words - the scriptwriters, producers etc. have kept it subtle - there's no big reveal, just a scent of more to come.

I have no doubt we will see more of these films, and I am already betting that a time will come when Tony Stark is played by Downey Jr as a special guest in a range of Marvel Studios pictures that will soon be rolling out covering the many many tales of S.H.I.E.L.D. - It's a hunch, but a good one; and you know what that probably means? At least one TV Series in the not too distant - give it about a decade or so - that is what I think it means.

This well devised plotting, and the ever wise cracking Stark are the main reasons why I think this is such a tight script. They are not trying to over feed us in one big sitting, (or blow all their biggest bangs at once) they are getting us hooked, or showing restraint in the roll-out of the series. I'm happily hooked. I think I was hooked the minute I saw Downey Jr all suited up and having a lot of fun.

The special effects are of course something to see. Pretty amazing. I was a little stunned that they could manage to set some of the action in the Grand Prix in Monaco seamlessly intermingled with their own action sequences, however don't watch the crowd (as if) or you may start to feel a bit tetchy about it all. Don't get me wrong, the big set action scenes at Monaco are great, and it's fascinating to see such well blended and edited real life event footage being combined with outrageously fantastic sci-fi action stunts, but as is most often the way with such things, some of the background 'extras' are not really all that well intergrated or combined.

I don't want to spell this little flaw out because it is a piffle, a little flaw. So go ahead, look yourself - don't watch the action (if you can take your eyes off of it) watch the crowds in the background if you want to know what I mean - but I do warn you it may water the whole thing down a little if you do, sort of snap you back into reality for a minute. You may as well just watch the action and ignore my comment until your second or third viewing of the film. Yes, it is worthy of more than one viewing as far as I'm concerned. It's a wealth of material cut together really well so you can easily watch it again and again.

The movie soundtrack is also somewhat restrained but very gutsy - so again, the movie makers here are really keeping things under positive control. They are showing enough restraint to keep me happy.

The main issues in this story, to be continued, are sensible understandable and well directed. The continuing of the franchise should do very well at least for one more Iron Man film (probably in 3D) and then the other stories will start to come out.

It's a little intense to think about, but S.H.I.E.L.D. have a load of super heroes ready to bust into action, a little like the Justice League of America, only crunchy... What I mean is, there's a gritty quality to all the S.H.I.E.L.D. stuff in the comics, so why not bring it? I'm sure they will.

I say this is a very good follow up to the first film. They will sit nicely together on the DVD shelf eventually. You'd have to be a bit of a humbug to not enjoy it - but don't let your expectations run too wild - just go and see this film for some good laughs, based on wit, and some great action scenes, and a tinge of romance, but the palest tinge - which suits me fine.

I like the laughs and the action, which is why I think it's so great. Sexual tension a la X Men, Superman and Spider Man... Who needs it?


superherohype.com's
Iron Man 2 Stills

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REVIEW | NEIL YOUNG | BIG DAY OUT

February 3rd 2009 03:26
NEIL YOUNG AT THE BIG DAY OUT

It's difficult to find words for the emotional impact this concert took on me. What a fantastic musician, singer and personality Neil Young is. Why was I emotionally staggered seeing/hearing him? The simple answer is - he has been a constant all my life. In fact we used (my older sister) to have a green vinyl bootleg of a concert he gave in 1978 or thereabouts. It had his classics of the day on it, a good deal of rambling philosophy leaning towards preserving the natural world of the time... Mother Nature featured big then, and although she still does, it was his intense rocking soul that cracked through the generations.

Surrounded by younger folk who had spent hours and hours hearing all sorts of great music, Big Day Out crowds in Adelaide certainly took a little while to place Young's sound and appreciate it. A stinking hot day didn't really stop anyone from enjoying the day, it was awesome over all; not the least because so many of Young's songs have been part of the fabric of life for at least thirty years. When he sang Hurricane there was a swell of recognition - it was all on for the massive 30,000 strong crowd. Maybe 6000 of them were my age (mid 40's) and they mostly seemed to be sitting in the shade up the back quietly enjoying the view and the music.

Sure, down the front in the mosh pit some yelled disrespectfully "Play some rock and roll" but they didn't do that for long. Needle and the damage done caused a bit of a quiet riot. One 20-something lad who had been bagging the "old dude" on stage suddenly shut up and sat down on the cool grass. There's always been power and emotion in Young's work. Part of my excitement and enthusiasm was a direct result of watching many younger people hearing some of his classics in the flesh. The songs still mean as much, if not more, today as they did 30 years ago.

The set was dressed with a range of novel fans, hanging letters and golden light. All in all it was an excellent concert and I was just as excited at the end of it as my 15 year old was; and he was very skeptical about the whole idea of an elder statesman of folk rock (nearly as old as his grandfather) until the messages and emotional journeys.

Top quality, no holes barred - beautiful concert.




NEIL YOUNG at BIG DAY OUT? You better believe it. From the festival that brought you the likes of Iggy Pop, Red Hot Chili Peppers, Metallica and Nick Cave. In 2009, BIG DAY OUT presents legendary guitarist and songwriter NEIL YOUNG –Anti-war protestor. Hall of Famer. Environmental crusader. Instantly recognisable vocalist. Father. Social activist. Filmmaker. Godfather of Grunge. Oscar-nominated songwriter. Crazy Horse. Buffalo Springfield. Crosby, Stills, Nash and…



YOUNG’s 90-minute BIG DAY OUT sets around the nation will crackle into life at 8.30pm on the main stage and are guaranteed to be full of classics. His electric band features long-time cohort and pedal steel guitarist Ben Keith, bassist Rick Rosas, drummer Chad Cromwell, guitarist Anthony Crawford and singer/guitarist (and wife) Pegi Young.



For a taste of what you’re in for, check out this hit-heavy setlist YOUNG played at Denmark’s Roskilde festival earlier this year: Love and Only Love; Hey Hey, My My; Powderfinger; Spirit Road; Cinnamon Girl; All Along the Watchtower; Oh, Lonesome Me; Mother Earth; The Needle and the Damage Done; Unknown Legend; Heart of Gold; Old Man; Get Back to the Country; Words; No Hidden Path; A Day in the Life.



Reviews from YOUNG’s string of festival appearances this past European summer have singled the shows out as some of his best in years – pointing to the feelgood singalong moments, the band’s awe-inspiring rock playing and “full-on electric assault”, the moving and “simply harmonious” nature of the “quieter section” of the set, the frontman’s good mood, and the great atmosphere in the crowd.



“NEIL YOUNG is… NEIL YOUNG. How else can it be put? No one else can do this. Live, he’s the greatest, hands down. A cathartic and primal musical experience.” (Epoch Times, July 2008)



Back in the States in October, Spin witnessed this elder statesman of rock kick off his US tour by breathing “new vitality into songs more than three decades old… his set became a veritable greatest hits collection”.



It’s been five years since YOUNG last toured Down Under – and even longer since he delivered such a dream setlist for fans. Who knows when he will be back again? So whether you’ve followed him for years, or you’re in need of a rock’n’roll history lesson, NEIL YOUNG at BIG DAY OUT 2009 is a rarefied experience you can’t afford to miss.



Tickets to his Sydney and Melbourne solo shows and to the Sydney and Gold Coast BIG DAY OUTs were snapped up within hours of going on sale but if you’re quick you may still be able to experience one of the greatest rock and roll experiences of your lifetime at one of the following shows.


NEIL YOUNG SOLO SHOWS

supported by My Morning Jacket



BRISBANE l Wednesday 21 January l BRISBANE ENTERTAINMENT CENTRE

Tickets: Ticketek www.ticketek.com.au Outlets and Phonecharge 132 849



SYDNEY l Sat 24 January l SYDNEY ENTERTAINMENT CENTRE

Tickets: Ticketmaster www.tickemaster.com.au Outlets and Phone charge 136 100



MELBOURNE l Wednesday 28 January l MYER MUSIC BOWL l SOLD OUT!!!



Please go to bigdayout.com for all ticketing details.


NEIL YOUNG AT THE BIG DAY OUT 2009



GOLD COAST l Sunday 18 January l Parklands

SOLD OUT ticket ballot in place



SYDNEY l Friday 23 January l Sydney Showground

SOLD OUT ticket ballot in place



MELBOURNE l Monday 26 January l Flemington Racecourse

BDO website SOLD OUT

Available from Ticketmaster outlets/Phonecharge 136 100, www.ticketmaster.com.au



ADELAIDE lFriday 30 January l Adelaide Showground

Available from Krypton Discs (Glenelg), Mr V Music (Semaphore), Elevator Music (Seaford), Globalize (Rundle Mall, Elizabeth, Noarlunga), Ticketmaster outlets/Phonecharge 136 100, www.ticketmaster.com.au and from our website www.bigdayout.com



PERTH l Sunday 1 February l Claremont Showground

Available from 78 Records (Perth), Mills Records (Fremantle), Planet Video (Mt Lawley), Live Clothing, Malibu Dive (Perth), Bassendean Newsagency (Bassendean), Cellarbrations (Bayswater), Trax (Mandurah), Collins Music (Bunbury), Blue 62 (Busselton), Geraldton CD Centre (Geraldton), Kalgoorlie Sound (Kalgoorlie), Vibes (Albany), Chinatown Music (Broome), Ticketmaster outlets/Phonecharge 136 100, ticketmaster.com.au or go to bigdayout.com for all ticketing details.

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REVIEW: The DC Vault

September 3rd 2008 13:32

The DC Vault
by Martin Pasko




Everywhere you look, on every surface imaginable one way or another there is an image from the world of DC Comics and that’s just the way they like it over at DC. This new book The DC Vault is a complete beauty as far as the art work and treasures it holds goes.

I’m a little skeptical about the ring-binder style of publication, it’s practical to a point but a little frustrating because you have to be quite careful with it; not as tear-proof as Superman’s cape. I guess that contributes to the sense of ownership and its special status as an interactive object. Obviously a book is an interactive object, but this one more so than the average because it contains a variety of awesome little treasures inside plastic slips; so in the act of reading the book, or even simply looking through it, one is tempted consistently to pull out each of the treasures and have a look. It’s something you unfold and avoid damaging. Speaking of the treasures I have to say I was a bit flabbergasted with delight.

Excellent objects such as: The No.1 Action Comics cover; great artwork. Spicy Detective cover, Passion Killer (1922); what a rare little hoot this is. Face down but searching up with her eyes, a woman bound at the wrists on a red rug with a dead match on the wooden floor. No wonder there was such a close watch on comics from the moral majority. Double Action Comics #2, Ashcan (January 1940) a great reproduction. A Batman Mask reproduction from 1943; cute as. Wonder Woman Button (May 1942) reproduced as a sticker, so you’ll have to decide yourself if you want to peel and stick it or not.

This is a collectors dream. A reproduction of original artwork by Joe Kubert (1976) with a deliciously devilish story referenced. A Wonder Woman Bookmark (1987); I love that the princess is saying reading is strength, and DC Moving Notice (1980) another fabulous plaything, wonderful artwork. Shazam Cellophane Button (1972) reproduced as a sticker; Shazam is Coming. It’s magnificent stuff with the freshest from the vault feeling you could hope for.

There’s a great insight into the whole DC Comics universe which means television and animation production as much as publishing comics. What a remarkable thing was The New Adventures of Wonder Woman in the 1970’s. Lynda Carter cut a fine figure, but possibly not as fine as Jenette Kahn the incoming manager in 1976 who led a shift in the entire comic industry between 1976 and 2004.

How much do people love the comic world of DC Comics? Plenty; for example when the publishers decided to create a story called Crisis where various planet Earths in the Multiverse are crashed together, and a range of super heroes are brought together onto one planet Earth it created a bridge for readers into the stories of characters they’d never considered to read. Some readers were annoyed by it, but others responded by publishing an index in two volumes of the whole thing. That’s love, dedication and wonder.

If you know little or nothing of this vast world, here in the Vault is the best place to start; highly informative and containing a beautiful reproduction of the History of the DC Universe Poster (1987) with everybody’s favourites all in one big group. For a considerable period of time there was censorship in cartoons in the form of the Comics Code and you had to publish outside the seal of the code if you wanted to publish horror or crime titles. Once the Time Warner merge happened in the late 1980’s DC Comics promised to pour many fine stories into the Hollywood machine…

The Batman Movie changed a great deal for Warner and DC as well as Michael Keaton who rode a few good lead roles on the dramatic trail after his moody portrayal. I personally will always love Jack as The Joker; a Joker for the time. Just as Karen Berger was clearly the woman to step up on the helm of new imprint Vertigo in 1993. Over the years from the start until now there have been some fine items left in the DC Vault, something to continue to treasure for every comic lover who will want this very much.


David Jobling

The DC Vault, published by Running Press, distributed by Bookwise International RRP$65.00 Available now in good bookstores.

dccomics.com
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Moderated by David Jobling
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