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Phillip Johnston and the Coolerators


VENUE: Riverside Theatres

DATE: Sunday 4 October at 7.30pm 2008

Parramatta Riverside Theatres

Phillip Johnston is originally from the U.S.A. and now lives in Australia. He is an accomplished saxophonist as well as being an arranger and composer of jazz and contemporary music; he has also composed for a multitude of genres such as silent film, theatre, and dance and been the force behind the ensembles the Microscopic Septet (whose back catalogue was re-released in 2006 by Cuniform Records), Big Trouble, and The Transparent Quartet. He recently collaborated with Hilary Bell, who wrote lyrics, on the silent film soundtrack Faust by F.W. Mumau, and has taught composition at the Steinhardt School of Music at New York University.
Caricature by Mathew Martin
Sam Golding on the tuba adds a dynamic bass note that accentuates the swing elements and balances the timbre of the group. His musical interests include Senegalese Mbalax, Cuban Son, Caribbean Steel Pans, Cabaret, Symphony Orchestras, Classical Brass Trios and Classical Hindustani Bansouri, and Reggae. Other groups he has performed with are Jackie Orszaczky’s Budget Orchestra, Chosani Afrique, Monsieur Camembert, Sydney Conservatorium Big Band, Nadya Golski and the 101 Candles Orkestra, The S-Bend, and the Sydney University Orchestra.

jazz and swing with a splattering of funk
that is all class

Peter McGill


Toby Hall's percussion provides an abundant backbone for the quartet. Highly sort after as a drummer he has worked with the cream of Australian jazz musicians, Don Burrows, Paul Grabowsky, Bernie McGann, Phil Slater, and Vince Jones amongst the mix. He has also been engaged by top international artists such as Charles Mingus, Doug Cameron, and Sheila Jordan. Hall’s ability to play intuitive intricate rhythms and time signatures on the backbeat with distinctive and stylish elegance is an exciting feature of the group. His personality on stage also brought a welcome element of humour to the night’s entertainment.

Alister Spence is well known on the Australian jazz circuit with his group the Alister Spence Trio. He is a pianist and composer of renown and has also worked with Don Burrows and Bernie McGann, as well as a diverse range of Australian music luminaries like Ed Kuepper, Archie Roach, Paul Capsis, and Dale Barlow. He co-led the internationally recognised Clarion Fracture Zone and has contributed richly to the Australian recording industry with many of his contributions winning Australian Jazz Album of the Year.

Phillip Johnston and the Coolerators are consummate musical artists, they present a unique style of jazz performance that is relaxed, smooth, and eloquent with phrasing that bursts forth intricate improvisations in jazz and swing with a splattering of funk that is all class - for the uninitiated and jazz aficionados alike a delight to imbibe.

Peter McGill



Band Website

Band Members
Phillip Johnston: alto, soprano saxophones
Alister Spence: organ
Steve Arie: bass
Toby Hall: drums
The Coolerators is a Sydney-based quartet, led by New York expatriate Phillip Johnston, combining the organ-based “groove jazz” style identified with Jimmy Smith, Brother Jack Macduff & Dr. Lonnie Smith with more contemporary and idiosyncratic influences.

The repertoire features originals and reinvented cover tunes. It features some of Sydney’s best-loved jazz musicians: Alister Spence, organ, Steve Arie, bass, and Toby Hall, drums.
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WICKED | Vale | Rob Guest

October 3rd 2008 22:04
VALE | Rob Guest (1950 - 2008)

Rob Guest (1950 - 2008)


Much loved and greatly talented thespian Rob Guest has passed away. He had been at home with his partner Kellie Dickerson, Wicked's musical director, when he collapsed about 10pm on Tuesday. In true theatre style, the show must go on, and so the Wicked cast did it with 'Guesty' in heart and mind as understudy Rodney Dobson played the Wizard, the role Guest had been performing.

Guest, 58, suffered a massive stroke on Tuesday evening in Melbourne and died early Thursday in St Vincent's Hospital after he was taken off life support, surrounded by family and friends.

The first unexpected news reports revealed his condition to be extremely grave; family, friends and fans drew their best attentions towards the well traveled actor and singer who started his life journey in England and was awarded an OBE for his services to the New Zealand entertainment industry later in life. Guest found success in USA then New Zealand as a pop star before arriving in Australia to perform in Les Miserables some years ago.



As well as Les Miserables and roles in many other shows, Guest spent seven years in the lead role as the Phantom of the Opera, performing over 2,000 performances.

Guest, relocated to Melbourne from the Gold Coast when he took the role in Wicked.

When he shall die
Take him and cut him out in little stars
And he will make the face of heav'n so fine
That all the world will be in love with night
And pay no worship to the garish sun.
~William Shakespeare, Romeo and Juliet


The inaugural WICKED DAY will be held on Sunday 26 October 2008 at the Regent Theatre. WICKED will join forces with ANZ and Starlight Children's Foundation to create some WICKED magic for seriously ill children and their families.

This exclusive event includes a never been seen before pre-show experience hosted by Australian Producer John Frost & a ticket to the 1pm performance of WICKED (children are welcome).

Limited tickets available at $250 per head, subject to availability. Proceeds donated to the Starlight Children's Foundation. To book, please contact Ticketek Groups on (03) 9299 9030.


The official companion to the Broadway Musical
Wicked:The Grimmerie
By David Cote



This Hyperion Book is the readers master class to Wicked the stage
musical; it contains the story of the show, how it came together, the songs, the characters in breakdown and a great deal of excellent photography showing various props and set elements. It's more than a superficial look and will delight those already planning to travel
East for the Australian cast version of the show. New musicals are not exactly rare – but ones that actually entertain an audience and provide something new and engaging don't come around all that often. As one follows the yellow brick road to Wicked early on in the book it's made clear The Wizard of Oz by L. Frank Baum is the initial
inspiration to Wicked (first the novel, then the stage musical) and
much is made of the timeless characteristics of that original font of
all things Oz.

The question 'Are people born wicked?' drives the subtext of the musical and to some degree it begs the answer 'Are people born American?!' which is not to suggest that Americans are wicked, but that the story is very American, and a fascinating reflection on the shifting standards and morals between the satirical original Oz stories and today's inspired revisiting of that wondrous place.

Wicked: The Grimmerie
will provide solid insights for High School Drama students as well as anyone who wants to study theatre production or get swept up in the strikingly green world of Elphaba (she destined to become the Wicked Witch) and her salad days.

David Jobling
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REVIEW | Risky Lunar Love

September 22nd 2008 04:19
Luke Milton’s
Risky Lunar Love

Directed by John Sheedy

Reviewed by Peter McGill



RISKY LUNAR LOVE
CarriageWorks’
Bay 20 theatre
limited season.

Risky Lunar Love is written by Luke Milton and made its' first appearance in 2002 as a university project in Perth. The concept is a musical theatre sci-fi extravaganza which involves a sex goddess from outer space who has a whole planet of Venus babes that need seeding. The goddess manipulates two rival earthbound sci-fi writers into being her donors but before she commits to either one she has to be sure that they are up to the task.

The show is risqué, with an 18 rating, funky, retro, sci-fi, and contemporary. While Milton’s script is pure unashamedly 50’s sci-fi B-grade movie the production design by Gypsy Taylor, who has worked on Moulin Rouge, is a blast fusion of 50’s retro kitsch with a neon contemporary vogue. It has twists and turns, astounding characters, and Rabelais-esque debauchery all over the place, all driven by the magical powers of a Tiki.

There is a potent sense of familiarity with the Rocky Horror Picture Show in the storyline as well as the stylized movement and choreography by John O’Connell who has also worked on Rocky Horror and Moulin Rouge.

A highlight of the production is the live original music. Brent Hill wrote the basis of the score then collaborated with Ross Johnston, from Machine Gun Fellatio. Together they worked on seventeen of the eighteen musical numbers. The band and the music are a dynamic powerhouse of auditory sensation. The musical virtuosity carries the action and adds to the funky flavour.

Director John Sheedy has melded these elements and realized a wacky, out-there, sexy, sci-fi romp which is trying hard to push the boundaries of musical theatre. The performers work well as an ensemble.

Risky Lunar Love is an exciting new Australian adult musical.

Peter McGill.


Risky Lunar Love
Writer Luke Milton
Director John Sheedy
Producer Oliver Wenn
Original Music Brent Hill
Musical Director Ross Johnson
Choreographer John O’Connell
Designer Gypsy Taylor
Cast
: Eliza Anderson, Don Christopher, Shannon Dooley, Ryan Gibson, Sheridan Harbridge,
David Hynes, Julia Ohannissian, Mark Pound, Emma Palmer, Nick Simpson Deeks, Lauren Rutherford, Melle Stewart, Lucy Taylor, Amy Usherwood, Sophie Webb.

Carriageworks Bay 20 Theatre

From Monday 15 September
15 September- 4 October
Media night Thursday 18 September
Tue - Fri & Sun 8pm, Sat 5pm & 9pm.
Preview Monday 15 September $29.00(Unreserved)
Function Nights 1 & 2- $35 Stalls & $45 Table (Unreserved)
A Reserve $45.00
B Reserve $30.00
Premium Reserve $55.00
Tables including food and wine service
Table $95 per head (min two persons)
Group of 4 $365
Group of 8 $720.00
Menu options available when booking
Bookings: ticketmaster.com.au or 1300 723 038



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REVIEW: The DC Vault (LINK)

September 3rd 2008 13:32

The DC Vault
by Martin Pasko

[ Click here to read more ]
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Québec Review (LINK)

July 23rd 2008 23:41
Putumayo presents Québec
Québec

The sheer enjoyment of listening to this sort of music can be a little infectious and you may find yourself seeking out some more material from the artists represented on the album. Putumayo have a vast catalogue of World Music releases; this album was created to celebrate the 400th anniversary of Québec, the only Canadian province whose official language is French. Québec’s local music scene is widely diverse and most definitely essential to the culture. Celebrated music festivals of the province include Montreal Jazz Festival, Les FrancoFolies and the Festival d’eté de Québec. The album has a predominantly acoustic sound and would suit easy listeners as much as French speakers. This is a compilation of polished performers such as two percussionist-singers DobaCaracol and laid back beautiful women, Marie-Annick Lépine, Myreille Bédard among others


[ Click here to read more ]
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Cassingle is the new CD! (LINK)

July 16th 2008 06:12
David McCormack


Cassingle
is the new CD release from David McCormack. It is something to nibble on whilst you are having a pre-dinner drink. Expect a full album later in 2008. And DON’T PANIC if you have NO IDEA how to create your own cassette from this CD, Jewel Case and (He)artwork – David has kindly supplied all the necessary instructions in the 10 How To Tips supplied. You might need to look up a dictionary under “cassette”. Others will fondly recall their first time recording a record to cassette many years ago


[ Click here to read more ]
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Tamam Shud (LINK)

July 16th 2008 05:37
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Sex and the City: The Movie
by Amy Sohn


[ Click here to read more ]
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