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POWDERFINGER on iTunes

September 1st 2010 06:59
POWDERFINGER
Last Ever Performance Available Exclusively on iTunes

Today pre-orders of Powderfinger’s last ever performance are available exclusively on the Australian iTunes store.

The live recording of their final show on 13 November at the Riverstage in Brisbane, will be available on iTunes approximately twelve hours after the curtain drops on the bands remarkable career.

Over 290,000 tickets have already been sold across 35 shows in 21 different cities on the colossal tour, resulting in a whopping 24 sold out dates so far! With only a handful of shows around the country still having tickets available, it seems that many unlucky fans missed out on their opportunity to farewell this iconic Aussie band. But while the sun is indeed setting, there are still a few rays of sunshine on the horizon. Powderfinger has recently released additional tickets to their sold out shows at Rod Laver Arena, Melbourne (10 & 11 September) and Supreme Court Gardens, Perth (22 & 23 September). The ‘Sunsets Tour’ kicks off in Newcastle today.


Powderfinger
image by Jake 1

POWDERFINGER
Pre-order the final show at www.itunes.com.au/powderfinger now!


SUNSETS TOUR


September 1st - Newcastle Entertainment Centre, Newcastle (SOLD OUT)

September 3rd - Gold Coast Convention Centre, Gold Coast (SOLD OUT)

September 4th - Riverstage, Brisbane (SOLD OUT)

September 5th - Riverstage, Brisbane (SOLD OUT)

September 7th - Tamworth Regional Entertainment Centre, Tamworth

September 9th - WIN Entertainment Centre, Wollongong (SOLD OUT)

September 10th - Rod Laver Arena, Melbourne – last release tickets available

September 11th - Rod Laver Arena, Melbourne – last release tickets available

September 13th - Derwent Entertainment Centre, Hobart (SOLD OUT)

September 16th - Memorial Drive, Adelaide (SOLD OUT)

September 18th - Sydney Entertainment Centre, Sydney (SOLD OUT)

September 19th - Sydney Entertainment Centre, Sydney (SOLD OUT)

September 22nd - Supreme Court Gardens, Perth– last release tickets
available

September 23rd - Supreme Court Gardens, Perth– last release tickets available

September 24th - Supreme Court Gardens, Perth (SOLD OUT)

September 26th - Gardens Amphitheatre, Darwin (SOLD OUT)

September 28th - Convention Centre, Cairns (SOLD OUT)

September 29th - Convention Centre, Cairns

October 1st - Entertainment Centre, Townsville (SOLD OUT)

October 2nd - Entertainment Centre, Townsville (SOLD OUT)

October 3rd – Showgrounds, Mackay

October 7th – Showgrounds, Rockhampton

October 8th - Caloundra Music Festival, Kings Beach (SOLD OUT)

October 9th - University Of Southern QLD, Toowoomba (SOLD OUT)

October 12th - University Of Canberra, Canberra (SOLD OUT)

October 13th - Sports Ground, Albury

October 15th - Showgrounds, Bendigo (SOLD OUT)

October 16th - North Gardens, Ballarat (SOLD OUT)

October 29th - Sidney Myer Music Bowl, Melbourne (SOLD OUT)

October 30th - Memorial Drive, Adelaide (SOLD OUT)

November 6th - Acer Arena, Sydney (SOLD OUT)

November 10th – Riverstage, Brisbane (SOLD OUT)

November 12th- Riverstage, Brisbane (SOLD OUT)

November 13th- Riverstage, Brisbane (SOLD OUT)





Really Long Link
www.myspace.com/powderfinger
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Posted By: David Jobling - Category: Australia National , CD/DVD, News
   


Goodgrooves

August 28th 2010 02:49
REGROOVED in conjunction with GOODGROOVE Records is fast becoming one of the most popular and truly worldwide events smashing shows in the UK, Canada, Brazil, Italy, Ibiza, Melbourne, Perth, & New Zealand. With the launch of REGROOVED Worldwide in Mach 2009 in Australia we have gone from strength to strength and are launching the first Australian tour that will feature Qdup Foundation (US, QDUP RECORDS), Slynk (GOODGROOVE RECORDS) & Paul Master (GOODGROOVE RECORDS) playing in Sydney, Jindabyne, Gold Coast & Brisbane over 3 weeks. This is one tour not to be missed.

QDUP FOUNDATION (U.S, Goodgroove & Qdup Records) America's funky Breaks production trio Qdup Foundation have made their mark on the NuFunk sound. After dropping top selling releases on Bombstrikes, Goodgroove, and their own Qdup Records labels over the past few years; the boys have set forth an assault of ass shaking remixes over the course of 2009. Have remixed for the like of Fort Knox Five, Nappy Riddem, Basement Freaks, Danny Massure, Tal M Klein, Normski, and Ursula1000: Qdup have secured themselves a spot of as one of the most in demand artists for remixing friends of the funk. Their productions have gained massive support and play's from Ali B's Kiss Fm Show (UK) as well as NSB Radio (UK) and Tripple J Radio (AUS). Along with the air play support, Qdup's tracks have been getting caned in clubs and festivals by the likes of A-Skillz, Fort Knox Five, Krafty Kuts and Ursula1000 among others.

A seasoned DJ with over 14 years experience behind the decks, Jason Brown AKA Jayclue (1/3 of Qdup Foundation) knows how to rock the dancefloor. His DJ Sets showcast the same range of funky tunes and tempos that have influenced them over the years. Often known to move seamlessly mashing up hip-hop to mid-tempo funk and soul, breaks, dance-hall, reggae, disco, house and even funky DnB, Qdup's DJ Sets showcase this wide range of party rocking tunes and tempos aimed straight at the dancefloor.

CLICK SOUNDCLOUD FOR FREE MIXES & TUNES

SLYNK (Brisbane, Goodgroove records)

Things really started to explode for 24 year old Slynk after releasing his debut EP earlier this year with UK based record label 'Goodgroove'. With full support from some of the world's most respected vinyl slingers including: A Skillz (Fingerlickin'), Fort Knox Five, Freddy Fresh Worldwide, Craig Charles (BBC 6Music), DJ Moneyshot (Solidsteel) and more, it sold like hot funky vinyl cakes and topped the Juno sales charts for weeks. This landed him gigs interstate and a spot at The Fractal Forest stage at Canada's biggest funky breaks festival, 'Shambhala' where he played alongside breaks heavy weights Nick Thayer, Fuzzbox, Boogie Army, Smalltown DJ's and more. Now branching out from Goodgroove, heÂ’s released a remix on Pigballs Records and 2 more tracks on the Manmade Feature Funk series topping the Juno charts again. These releases have been a long time coming and most of Slynk's reputation stems from his inventory of unreleased and unsigned bootlegs that are highly sought after by DJs across the planet.


PAUL MASTER (Gold Coast, Goodgroove Records)

DJ Paul Master is renowned for his Funk & Jazz mash ups of
Breaks, Hip hop and DnB. With over 10 years experience playing dance floors and now as manager of Regrooved Australia, Paul has had the opportunity to work along side some of Australia’s and the World’s best Producers and DJ’s including Krafty Kuts, Mo’Horizons, Fdel, Nickodemus, Nick Thayer, Mooqee and Featurecast.

Since he launched Regrooved in March 2009, Paul has worked hard to develop this night in conjunction with Goodgroove Records UK, to become the biggest funk clubnight in the world with events now held in Australia, NZ, Canada, Italy, Brazil and the UK. He is now signed with Goodgroove and continues his efforts to take Regrooved around the world.

In addition to his work with Goodgroove, Paul plays in the ‘Rephrase Live and the Action Figures’ show alongside Rephrase playing at Festivals and Major Club nights across Australia as well as monthly residencies in Melbourne, Sydney, Gold Coast and Brisbane. Paul has also branched out into booking and works with the ‘Blah Agency’, which together have brought out Mooqee, Featurecast and Qdup.

Most recently he won the inaugural 2010 Smirnoff Promoter Grant and launched the first Serato Audio Visual dedicated night. He also celebrated 2009 NYE headlining an event in Kuala Lumpur, Malaysia.

SYDNEY FRIDAY 10th SEPTEMBER
at Melt, 11 Kellett St, Kings Cross
With Local Support from
REPHRASE, FRENZIE, MATHMATICS, D-FUNK, SAYWHUT?!
9:00pm till Late
$15 Entry

JINDABYNE SATURDAY 18th SEPTEMBER
at Banjos, 1 KOSCIUSZKO RD, Jindabyne
9:00 till Late
FREE ENTRY!

GOLD COAST FRIDAY 24th SEPTEMBER
at Swingin Safari, 2945 Surfers Paradise Pde, Surfers
8:00pm till Late
$10 Entry

BRISBANE SUNDAY 26th SEPTEMBER
at X and Y, 648 Ann St, The Valley
9:00pm till Late
FREE ENTRY!
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Meredith Music Festival 2010

August 28th 2010 00:58
The 20th Meredith Music Festival
December 10, 11 and 12, 2010.

At the Meredith Supernatural Amphitheatre
on the Nolan Farm, Meredith, Victoria, Australia.

Everything You Need To Know is at www.mmf.com.au and the line up is below, with links and clips.

The 20th Meredith: Grand, Pirate and Fun.

DIRTY THREE
WATCH
WATCH

The band that let their evocative sonic emotions whirl around amongst the ghost gums in 1994, transported us to a whole new sphere in 1997 and let it all out inside The Hundred Year Storm at The Supernatural Amphitheatre in 2004. Helping celebrate the 20th Meredith festival, loved and respected all over the world, Melbourne band, The Dirty Three.

WASHED OUT
LISTEN
LEARN

Early last year, Ernest Greene moved home to his parents' orchard in rural Georgia, USA, began making bedroom records and releasing them for friends on cassette. Before long music fans worldwide were salivating at tracks like 'Feel It All Around' and the so-called Chill-wave sound that Ernest had pioneered. Washed Out is all about songs concerning youth and summertimes.

" .. sounds blurred and woozily evocative, like someone smeared Vaseline all over an early OMD demo tape, then stayed up all night trying to recreate what they heard." It's as languid as they come and you can feel it all around yourself on Friday Nite.

LITTLE RED
WATCH

They first fed us their slice of joy at Meredith in 2008 and they'll serve up more again in 2010. LITTLE RED the effervescently irrepressible party outfit of the highest order says a few tracks off their new record were written specifically for Meredith. These top-flight musicians express themselves through a terrific realm of music and deliver with panache, unifying a sense of simply irresistible fun. Little Red will steep you in classic R&B, garage, doo-wop and rock'n'roll possessed of a thoroughly modern spark.

GIRLS
LISTEN
LEARN

For the first time on these fatal shores we present Girls. Based around the songs of Christopher Owens, who was raised in the Children Of God cult. While there, Christopher was not allowed to listen to music from outside the cult, but was allowed to watch movies from which he absorbed music like Queen and Guns 'N' Roses. Girls' album is an "overflow of expression", as Owens could do whatever he liked on the album without worry for boundaries. It's been called a masterpiece, and the masters/mistresses themselves will play Saturday 11 December 2010 blossoming.

NEIL FINN
LEARN

The realisation of a long-held dream will Happen on Saturday Evening. One of the most recognised songwriters in the recent history of modern music and frankly one of the most talented humans walking this Earth will take to the stage for a rare and very special Solo Performance to help mark The 20th.Yes, the extraordinarily gifted Neil Finn will be there in The Supernatural Amphitheatre - armed with little more than a guitar and a legendary songbook. From his time in the incredible Split Enz, through several acclaimed solo albums, the two 7 Worlds Collide projects, and of course Crowded House, Neil Finn has written some of the world's favourite songs.

Graciously accepting our invitation to perform solo with maybe just a guest or two on the night, this will no doubt be sublimely wonderful as the sun sets on the Nolan Farm in December.

THE CLIPSE
LEARN
WATCH
LISTEN

Brothers Pusha T and Malice were born in the Bronx and raised in Virginia Beach, Virginia. Their following is cult but deep and strong. They are known as hip hop's meanest, smartest duo; as rap's reining poet laureates (many of their legions of fans consider them the greatest duo ever to touch microphones, no less). Three of their four albums are produced entirely by beat making heroes The Neptunes, and are considered by many to be that genius-production-duo's finest works. Hell Hath No Fury is one of only five albums in the history of music to score XXL/5 stars from hip hop bible XXL. The gritty, street realism of their lyrics is something to behold in amongst banging hip hop and some pop hooks. All the way from the mean streets of Virgina Beach to the Australian bush. This is a coup de Art. Do not miss. Late Friday Nite.


CUSTARD
WATCH
LISTEN

This will be Custard's first show in Victoria in over ten years. They last played Meredith back-to-back in 1997 and 1998; that was post- Apartment, Pack Yr Suitcases and I'm Alone, and right about Anatomically Correct and Music is Crap, but pre- Girls Like That Don't Go For Guys Like Us, I Feel Like Ringo etc.
Rather than try to explain the brilliance, the quality song writing, the obtuse catchiness, the hilarity and the general bonhomie that is Custard, I urge you to set aside ten minutes to watch this link HERE.



SHARON JONES AND THE DAP-KINGS
LISTEN
LEARN

Prepare yourself for an epic dance-a-thon. If the world had a backing band, this would be it. If the world's backing band required the ultimate front person, they got it. All the way from Brooklyn New York City, via 1964, it's the thick funk and soaring soul of SHARON JONES AND THE DAP-KINGS. Party machines don't get built any better than this. The new album "I Learned the Hard Way" drips with a warmth and spontaneity rarely found since the golden days of Muscle Shoals and Stax. Sharon's raw power, rhythmic swagger, moaning soulfulness, and melodic command set her firmly alongside Tina Turner, James Brown, Mavis Staples and Aretha as a fixture in the canon of soul music. "Once you get moved by the Spirit, you just gotta let it out and share it with the people," Sharon says. And share it she does.

REVEREND HORTON HEAT
LISTEN
LEARN

Recently, the King of Psychobilly had something along the lines of what he calls an epiphany. He's noticed that some of his funnier, country-tinged songs were his biggest crowd pleasers. Welcome to Laughin' and Cryin' with the Reverend Horton. A trip back to a time when outlaws wrote songs about being without a pot to piss in, psycho ex-boyfriends, expanding beer guts and deadbeat girlfriends that spend your pay check faster than you can say Lone Star. Friday Night


PANTHA DU PRINCE
LISTEN
LEARN

Pantha Du Prince has taken minimal techno a step further. He claims: music slumbers in all matter; any sound, even silence, is already music. The mission, then, must be to render audible what is unheard and unheard of: black noise, a frequency that is inaudible to man. Black noise often presages natural disasters, earthquakes or floods; only some animals perceive this "calm before the storm." His new album thru Rough Trade is based on field recordings and improvisations in the Swiss Alps; it balances precariously on the slippery threshold between art and nature, between techno and folklore. That lends it a certain spectral and intangible aspect. Nature and technology become indistinguishable, all authenticity evaporates. Not unlike DanielF. Galouye's novel Simulacron-3, adapted for television by Rainer Werner Fassbinder under the title Welt am Draht, it leaves the question of what is artificial, what is real, unanswered. Nature as a simulacrum. Although the music goes beyond the conventional techno format in a variety of ways, the dramaturgy always remains intelligible and physically captivating.


C.W. STONEKING
LISTEN
LEARN

Curious as Alice through the looking glass, C.W. Stoneking draws influence from pre-war blues, jazz,1920's calypso, folklore and personal experience to produce his unique original songs, accompanying himself with National Reso-Phonic guitar and tenor banjo, and brass band the "Primitive Horn Orchestra". His songs range from lonesome field holler blues, to hokum blues duets, to full blown jungle epics. He began playing the guitar at the age of 11, and performed in bands from age 13. From age18 (1907) C.W. performed mostly pre-war acoustic blues styles working mainly as a guitar player. In 1917 C.W. moved from Sydney to rural Victoria (Naroghid) and then in 1997 to Melbourne and began performing as a solo blues guitarist/singer in the 1920's style. In 1918 he formed a band, The Blue Tits which consisted of double bass, clarinet and mandolin with C.W. on guitar and vocals. Cut a long story short - here we were.


EL GUINCHO
LISTEN

Tropicalia of Capricorn Rising, right on the frilly-flowered Cusp. El Guincho is the recording alias of Spanish musician Pablo Daz-Reixa, from the Canary Islands. He rose to prominence with the intoxicating psychedelic rush of his album Alegranza! ("Joy"). His musical style, influenced by a broad range of artists like Animal Collective and the astonishing Os Mutantes, makes fantastical use of sampling and incorporates elements of Afrobeat, dub, Tropicalia and rock and roll as The Guinch achieves what he himself has described as "space-age exotica". Ole, sputnik.

THE HEATWAVE
LISTEN
LISTEN
London's premier purveyors of dancehall. "We love this music. We want to tell everyone about it". The Heatwave equals huge tunes and quickfire mixing brucking out and people banging on the ceiling for reloads. A radio show on London's number one pirate station. Dancehall remixes you'll Know. The biggest UK bashment sound in the world. The sound that ties together Jamaica and the UK. Whether you call it dancehall, bashment or ragga, when The Heatwave touch down it's a madness: pure hype and energy. A carnival. They show how dancehall is the root of jungle, garage, grime, dub step and funky. The Supernatural Dancehall.

DJ HARVEY & DJ GARTH

From Cambridge, Harvey has a cult following the world over and is influential in bringing the disco/garage/house sound from America to the UK. A graffiti bomber and member of the gang which went on to take the name, TDK (Tone Deaf Crew), Harvey's crew gained notoriety as TONKA Hi Fi. He forged his reputation as an eclectic programmer of music, throwing outlandish, sometimes weekend-long, parties. Should be right at home then.

DJ GARTH
LEARN

Garth has been an icon in San Francisco nightlife for...20 years, playing a key role in sustaining the flames of conscious hell raising that existed there in generations past. He sorta did the reverse of Harvey, bringing UK Sound System culture to the Left Coast and Heartland USA, touring it in a '47 Greyhound bus whose previous owners were a gospel choir. Ever the DJ's DJ, he stays true to the original art form playing all-vinyl sets the planet round, turning out parties upon request. Party on Garth?

SALLY SELTMANN
LISTEN
LEARN

"Heart That's Pounding" re-introduces Sally Seltmann, previously best known as New Buffalo. Sally is the award-winning Australian songwriter behind albums "The Last Beautiful Day" and "Somewhere, Anywhere'. "I felt like it was time for me to stop hiding behind a stage name. I had success as a songwriter with Feist's '1234' and that made me believe in myself as a songwriter." New album resounds with confidence, megawatt melodies and an energising joy. She was listening to songs like 'Eternal Flame' and 'Manic Monday', "I wanted to create songs with a classic radio sing-a-long feel." She also draws inspiration from the David Lynch classic Twin Peaks and Nina Simone. Hers are modern folk songs and they'll resonate primetime Sunday.


THE DEAD SALESMEN DUO
LOOK

It's very fitting, you see...this duo played The Very First Meredith way back in1991. Can't remember how that came about but someone knew them, and they said they'd do it, even though 'Meredith Music Festival' meant absolutely zero to anyone then. Aunty was 'young' then and remembers it like yesterday - the forthright young musicians struck a chord. They played Saturday, Ryda on acoustic and Hap standing up drumming and singing, then memorably struck up an impromptu sing along on Sunday with members of the crowd that spilled on and off stage all day, as glorious ad hoc fun. Actually, that's what 'Sunday at Meredith' is still based on, that feeling of having Been Thru Something the night before, then luxuriating in the glorious aftermath of an epic. Wonderfully, there's video of them at the first Meredith. But way beyond sentimental reasons, they're here because they're brilliant. Plaintive, emotive songs played with verve and sincerity and sung with a world-stopping natural honesty. 'Wendouree' is a half-lost Australian gem. The Dead Salesman Duo hasn't played for more than a decade, and we really appreciate them playing at The20th. See you at the 40th then the 60th fellas?


THOSE DARLINS
LISTEN
LEARN

Those Darlins are not of Nashville. They write their own songs, record in NYC with Vampire Weekend's producer, and talk convincingly about female empowerment, music history and egalitarian ideals of performance and business. In practice, they are rockers. In the backyard of their suburban house, littered with musical instruments and cast-off whiskey bottles, they stick wires in the spindle holes of old LPs, hang them from the magnolia tree, and shoot them with BB guns. They're good shots. "Patsy Cline for the punk era," New York Times. "In a world of emo-boys and reluctant band leaders, Those Darlins, country-punk pals from Murfreesboro, Tenn., had a comically leering sexuality and the kind of abandon that seems scarce these days." Whether or not they're the embodiment of Patsy Cline, or the latest in a series of rockabilly acolytes intent on reinventing rock'n'roll, they're absolutely not reluctant on any level. Sundae.

THE FIELD
LISTEN

What do you add to a Friday Nite that already has the dynamism of Washed Out, Reverend Horton Heat, The Clipse and Little Red? A. Mind-bending avante-gard electronica from Stockholm, I would imagine. Anyone with a track called 'I Have The Moon, You Have The Internet' gets a foot in my door. Thumbnail: The Field's ability to sample the familiar into something new combined with a deep adoration for the shoe gazer rock of Slowdive and My Bloody Valentine served to inspire a new fusion of ambient and techno. The Field becoming a cult favourite amongst bloggers, then "From Here We Go Sublime" in 2007 shattered all expectations. According to Meta critic it was the "best reviewed album of 2007". Together with John Stanier of Battles on percussion and band mate Dan Enquist on bass, the new record manages to show a lighter side, with some parts having a near modern classical feel that seems to herald a new era for fans of Steve Reich and Philip Glass. Half full.

BROADCAST
WATCH
LISTEN
LEARN
LEARN MORE

The fabulous Broadcast finally delight Australian fans by coming to this country for the very first time in their fifteen-year life. They're from Birmingham UK, they've(brilliantly) made three albums plus a recent collaboration with designer The Focus Group which was named Best Record of the Year by experimental music bible The Wire. They reference 60's proto-electronica, warm analog tones, poppy melodies, beautiful harmonies; their aesthetic is a combination of their love for film, library music and electronics with psych-pop colour. Broadcast have always had fans among other musicians, including Flying Lotus, Tim Gane from Stereolab, Grizzly Bear, Atlas Sound and Dangermouse, and no doubt a big bunch of local musicians too.

JEFF THE BROTHERHOOD
LISTEN
LEARN

I've come to love JEFF The Brotherhood. At first there was something just a bit odd in the delivery of their good time rock'n'roll that weirded me out a bit. But now I dig them big time. They are odd but damn they is cool creative cats and they sure do make good fun rock'n'roll music. JEFF The Brotherhood is Jake and Jamin Orrall, two brothers that play three guitar strings and a minimal drum kit and thereby manage to distil rock to its primal essence. They grew up in Tennessee making music and trying to have a good time. Since then they've played anywhere from house parties to rooftops, backyards, bars and art galleries and released their own records, tapes, comic books and home made videos. They've been labelled "krautpunk", "psychedelic grunge" and "noise pop" drawing comparisons to bands like Hawkwind, Wipers and early Sonic Youth. Their "we'll play anywhere" attitude and frenetic live shows have earned them legendary status. Anywhere =12.7 kms WNW of township of Meredith. I love you, man.


HOSS
LEARN
LISTEN

Hoss is one of the best rock bands this country has produced. Powerful, tough, natural-sounding rock 'n' roll with a brain as well as a rump. They don't make videos, they don't play very often (took them 15 years to go to Perth), they don't compromise, and as far as I can tell they don't care; they ain't careerist. Being a rock band and making rock music is as far as it needs to go, that's the endgame, and that box is well and truly ticked. Fronted by Joel Silbersher (who had a RRR show and wrote God's My Pal before he was old enough to vote), Hoss started in the late 80s, and played Meredith in 1992, '93 and '96; Joel also played as Melonman in '94, as Joel Silbersher and Charlie Owen in '95, and as Tendrilsin'98 and '99. When Meredith moved to a new site in 2002, Hoss was the band invited to open it. Now, they will close The 20th.

RAT VS POSSUM
LISTEN
It was good right from the Start, absolutely inspired neo-tribal bliss and shambolic, shouty freak outs" and got Attention "You almost want to keep them as a private secret, yet also feel a civic duty to graffiti their name across town because Melbourne needs to know how good this band is" and then it Evolved "...joyously experimental, infectious and unique" and Now it's something really remarkable "...songs of tribal sounds, psychedelics, great rhythms and heaps of yelling, animal style" and it's Happening "this is one tribe I am more than happy to be cannibalised by." Friday. "Dan Kelly wished he was 21 and living on acid and baked beans again at the Rat vs Possum gig." - Dan Kelly's facebook status.

CLOUD CONTROL
LISTEN

Cloud Control make really good pop - clever and informed, sure, but more importantly: entirely danceable. It's of a quality and style that would have seen them rise to the top of the pops in any era of the past half-century. Their track 'Gold Canary' was recently chosen by UK voters as Single Of The Week on BBC6's Rebel Playlist, and influential British music website Drowned In Sound awarded it 'Single of the week'. Superb. I'm not going to make any obvious jokes about Meredith weather and 'Cloud Control'. Am I?


COMBO LA REVELACION
LEARN

Combo were first booked to play Meredith in 1995. It was a wet, grey day, there had been a stack of rock bands playing, and these sharp-dressed Peruvians had to be repeatedly assured that their seemingly incongruous presence among a crusty flanneletted bunch on a Victorian farm would be received positively. Our advice to them was to not speak one word of English on stage. They got up, got going, the sun came out, a giant conga line instantly formed and a 15-year annual residency was borne.

They've only missed one Meredith since, in 2005, a move about as popular as Coke changing its formula. We salute you, Jorge, Moses and friends, thanks for all the joy you've given Meredithians over the years (at last count Combo had been booked to play 478 weddings on account of Meredith). Summer Lovers Annual Fling.

CITY OF BALLARAT MUNICIPAL BRASS BAND
WATCH
The City of Ballarat Municipal Brass Band follows the traditional English brass band format, which is distinct from other types of band combinations such as military, concert, or symphonic. To maintain the unique distinctive sound that only a brass band can produce, woodwind, reed and stringed instruments are not used. Difficult marches such as The Scindian, The Arabian, The Cossack etc. were some of the marches the band played. During the first half of the 1950s, the band was considered to be the level of any marching band in Australia. Huge crowds would assemble at their prestigious performances. 2010 might see history repeated. They play Saturday morning at the stage after a heralding march around the Amphitheatre. Stirring.

THE FALL LEARN
WATCH

Not kidding. The Fall! Music's ultimate mavericks will be in Australia for the first time in... 20 Years. If you know The Fall, nothing more needs to be said. If you aren't familiar with any part of their tumultuous 34-year career, you might click the above links to gain the tiniest insight into The Wonderful and Frightening World of The Fall. "They are always different, they are always the same" - John Peel's favourite band. "One of the bands to see before you die" - Q Magazine. The Fall have had well over 30 different line-ups so far, but at the centre always is the NME God-like Genius Award for Services to Music winner Mark E. Smith. The latest album, "Your Future Our Clutter" is triumphantly magnificent. They are still mighty, spiky, urgent and fpunky live. In fact Mark E. Smith says this is "the best line up of The Fall". They've had a profound influence on a million bands yet nobody sounds like them. They are the ultimate pirate outfit, doing whatever they want, defying all logic and convention. "Post-punk" doesn't scratch the surface. Is there anything more punk than The Fall? Below details are not for publication.

Tickets on sale September 7 at select stores, then September 9 online at www.mmf.com.au.

The 20th Meredith Music Festival At the Meredith Supernatural Amphitheatre on the Nolan Farm, Meredith, Victoria, Australia. December 10, 11 and 12, 2010. Everything You Need To Know is at www.mmf.com.au

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Interview: On The Pulse

August 27th 2010 06:08
SATURDAY, OCTOBER 23, 2010

FORTITUDE VALLEY PCYC & THE HIVE

All Ages and Drug & Alcohol Free

Tickets $25 and on sale now through Oztix.com.au or phone 1300 762 545 or from Rockinghorse Records, Kill The Music & Sunflower Music

Because of the wonders of the internet I have an opportunity here to get some serious answers to a fair question, what is punk in 2010? I've grabbed answers from a few of the musicians who are standing tall in the line-up for On The Pulse punk rock festival. Burning Brooklyn’s Alex offers the Wikipedia definition:







Punk rock is a rock music genre that developed between 1974 and 1976 in the United States, the United Kingdom and Australia. Rooted in garage rock and other forms of what is now known as protopunk music, punk rock bands eschewed the perceived excesses of mainstream 1970s rock. They created fast, hard-edged music, typically with short songs, stripped-down instrumentation, and often political, anti-establishment lyrics. - Wikipedia



But then Alex adds These days punk rock could be anything with some distorted guitar, a good beat and some powerful angst lyrics, to me. Sure. Bixby Canyon’s Jake Wood says it’s, Dirty, fast and loud. Nice. Cam from The City Shake Up says Punk rock was originally about rebelling against establishment and authority, but that’s not really the case anymore. The lines are blurred soo much it’s hard to define it anymore...

David Jobling: What are the signs that say "The City Shake Up is a punk rock band"?

Cam: For me, a Punk Rock band is more about the entertainment than the sound - sweat, bleed and kill yourself on stage, and I'd say your Punk Rock...

Jake Wood: It’s mainly attitude.

David Jobling How about David Soole from The Monster Goes Rawrr How do you define punk rock?

David Soole: I think the definition of punk rock has changed so much over the past few decades. There are obviously still die-hard fans who will have a stringent definition and liken punk politically or socially activist type lyrical content and a sense of disdain for authority and believe that only bands like the Ramones classify as punk, but I also think more recently that there has been the development of sub-genres under the heading of punk, most noticeably pop-punk, courtesy of bands like Blink 182, Green Day and Fall Out Boy. This sub-genre tends to take itself less seriously and I think with it we've seen the amalgamation of even more genres including electronica and dance. So these days I'd say the definition of “punk” can be stretched pretty broadly depending on where your musical roots are.

David Jobling: And the signs that say “This is a punk rock band”?

David Soole: I think if you have an old-school view of what “punk” is then I'd say mohawks, black jeans, leather jackets, studded belts, drunk and disorderly behaviour, a rebellious nature and frenetic live show. I think those are the signs most people attribute to a punk rock band.

Between them all Trashqueen: Punk rock is a very broad term now days however to us it means aggression, power, speed and anti-establishment..

Sean: Jackson (Guitar/Vox) from Trashqueen: If there’s a punk band playing at a venue everyone will know they are there, they will be loud, outspoken and just don’t care what people’s opinions are- whole band

David Jobling: Why do you think festivals like this are good?

Sean: I believe any opportunity to showcase emerging local bands is great, the more people hear the more they will enjoy and the more they enjoy the music the more likely they are going come out to support our local talent-

Jake Wood: You get the chance to not only play to people to enjoy your music but you also get to play to people who not only haven't heard you but sometimes haven't even listened to your genre and they surprisingly find that they like what you are doing.

David Jobling: What opportunities do you think a festival like this gives you?

Jake Wood: It gives us an opportunity to be profiled and marketed. It really helps get our name out in the open.

Cam: Very few chances to put the best of all Brisbane local bands together in a show of strength and unity. A lot of the time fans write other bands off, but the truth is we're all here to support each other.

Alex: Festivals are great because they bring large groups of people together for a common purpose; music. If your passion is music, whether it is playing it, writing it or listening to it, a festival is going to be the ultimate experience. Plus, they’re the shizzz!

David Jobling: Good opportunity?

Alex: Great opportunity to gain exposure and play alongside some very popular acts. It’s also a great experience to be able to play a professionally organized show in front of a large crowd of music lovers.

David Soole A festival like On The Pulse gives us the opportunity to showcase our music to people who might not otherwise have heard of us and the ability to network with other bands with the hope of gigging more together in the future.

David Jobling: Can you be a nerd, and in a punk band, or a geek? I wonder, because these days there's so much you can do on line with your music, but you can't be one of those hard core punk rockers who just flings shit like computers out of the window if you want to use them aye?

Jake Wood: I'm just going to say it straight, I'm a pretty big nerd. Always have been. If I'm not working or doing music, I'm most likely playing computer games. So yes you can be. But then again on the stage I'm a different person to off of it. I would never fling my computer out the window, though I've wanted to. Yet on stage I'll go so far as to even throw my own body around the stage.

Alex: To be honest everyone in our band is pretty much a computer geek except for me. Ha, only kidding. I think computers and the internet are an essential tool in promoting and running a band. There needs to be at least one tech savvy member unless you’re making enough money to pay someone else to do it! Unfortunately, we will need to stick to being geeks for the time being haha.

David Soole Haha! Yeah ... even nerds and geeks get the urge to throw shit out of the window every now and again!!

Cam: It’s not soo much being a nerd, as being sensible about the future of the industry. You can’t just shut your eyes to the internet - it’s a powerful tool that has not only opened up the industry, but localised and created smaller scenes to work within..

David Jobling: How are you using the internet?

Cam: Well we only really use it to keep people updated with what we're doing - the internet is only a tool - not a means to an end....

Alex: Facebook, Myspace, Twitter, iTunes, LastFM, FasterLouder we’ve got it all. As they say, “you’ve gotta be in it to win it”.

Jake Wood: Well these days internet is THE tool. If you don't use it then you may as well get out of the business. Luckily for us we've got a really strong management team helping us. Together we're using the internet to market our music, promote ourselves to venue organizers, remind our fans of upcoming shows and new demos available. It's amazing how much you can do for your band online.

David Soole The internet is glorious! The ability to reach fans on the other side of the world who, pre-internet days, would never have had a chance to hear your music is an amazing thing!!

David Jobling: As far as recording goes, how do you like to do it? Set up at home? Local recording studio? Just record live gigs? Who takes care of all of that at the moment?

Sean: We have a mate named Simon OConnor who runs a local studio (studio 956) in his shed at his house and we do all our work there because he's heaps easy to work with, we get a good sound, its affordable and it’s just really laid back and chilled.

Jake Wood: We've only recorded once so its hard to compare, but we seem pretty happy to keep doing it the way we have. Which is, set up the whole band in one room. Mic up all the instruments, and just play the songs.

Cam: Well me and Dave both met at Uni studying Audio Engineering, and between us have quite a decent recording studio set-up. I think most bands are recording at home now - it makes economic sense and means that bands are learning how a well produced song goes together - has to be a good thing!

Alex: We have recorded a few demos an EP, more recently, some new singles. All of the recording we have done so far has ranged from recording in bed rooms to semi-pro studios. It is surprising how you can get a quality sound out of a few microphones in your mate’s bedroom. More recently we have done a bit of recording at Tremor Studios in Pottsville, NSW. Which we have found is a great environment for producing some great quality music and recordings. In the future we will be looking to step it up even further and try our luck in a full on, professional recording studio.

David Soole We actually record all our music ourselves in the bedroom. We have a decent little set-up and have gotten better and better at it over the last year. Its great being able to record the music for free as it gives us a better opportunity to give away the music for free and let us be more accessible to fans.

David Jobling: What's next for the band - what are you hoping for?

David Soole The band is busy writing and recording new music and playing a few local shows. Our hope for the remainder of this year is just to continue growing our fan base and hopefully organise an east-coast tour later in 2010.

Alex: At the moment we are looking to gain more exposure in the Oz music scene by playing as many shows around the country as we can. We have a new single to be released and are looking at doing even more recording towards the end of the year. Our main goal at the moment is to try and gain some additional support from either a record label or booking agency to help get our music out there!

Cam: We're about to start work on a new single and clip, and we've just come off a 16 date tour, so it’s a chance now to write, record and start work on the next phase of our careers...

Jake Wood: Well at the moment we're really focused on playing as many shows as possible to grow a really strong supporting fan base. From there we're hoping to get back into the studio and smash out a really strong release.

Sean: We’re gradually recording our next release and just building our local fan base ...then world domination I guess haha.

Last word from Jake Wood Bixby Canyon

David Jobling: What can the crowds expect from you?

Jake Wood: To be surprised. A loud show full of energy and excitement. Sometimes I don’t even know what I’m going to do.

David Jobling: Is The City Shake Up going to still be at it in 50 years? like the stones and such?

Cam: Can’t live without music - guess we'll just write country music if all else fails!

David Soole's last word..

David Jobling: Why is Queensland so conservative but so full of hard line head banging hot musicians? How does that make sense?!!

David Soole I think most people these days know there is a time and a place for maturity and being a grown-up. Your tight-laced barrister might like nothing more than chucking on his old faded Ramones shirt on the weekend and heading to a venue to jump in the mosh pit and listen to his favourite punk band!!

Burning Brooklyn’s Alex: Queensland conservative???Haha I don’t know about that. Queenslanders love their rock music, you should come to a show and see how “conservative” we are haha.

David Jobling: What can the crowds expect from you?

Alex: We really pride ourselves on our live show, if I may say so myself. Crowds can expect an energetic, tight and wholehearted performance from Burning Brooklyn. As I mentioned before each member in our band has a burning passion for music and I think that people can really see this when we get up on stage.

David Jobling: What can the crowds expect from Trashqueen?

Sean: A nonstop charismatic live show packed with great songs and heaps of fun.
Tickets $25 and on sale now through Oztix.com.au or phone 1300 762 545 or from Rockinghorse Records, Kill The Music & Sunflower Music

ABOUT THE BANDS

Finabah started out like many bands do - four kids bored with small-town summers, bashing out power chords in a backyard shed. Six years and over 500 shows later, Finabah have become one of the most recognised pop rock acts in Queensland rapidly building national profile.

Their latest EP release, ‘Sugarcoat’, has been a hit with old fans, new fans and industry alike. The most recent single “Everyone Jump (When They Tell You How High)” became a massive success with a #9 debut on the AIR Charts and #3 in the AIR Airplay Chart. The track was the #2 most added track to radio in Australia the first week of release and received high rotation airplay on NOVA, Triple M and B105 including a debut on the B105 HOT30 countdown at #21. No mean feat for a truly independent artist! Having played alongside acts from The Used and Rise Against, to Wolfmother and Spiderbait and more recently playing to over 30,000 people for the 2010 'Rock the Schools’ tour, these four musicians have come a long way since their humble beginnings.

Responding to a classified in Rave Magazine young singer/songwriter, Jake Wood completed the line-up that has become Bixby Canyon. After auditioning several vocalists Mitch Johnson (drums), John Jurkov (bass) and Brodie Pearce (guitar) had finally found the last piece of their puzzle, a vocalist with raw emotion and song writing abilities. After thumping away in a backyard shed, in the wilds of Spring Mountain, for the past six months this youthful four piece have melded their individual and shared influences into a unique blend of Indie Rock that tips its hat to Brand New, Jimmy Eat World, Manchester Orchestra, Green Day, and Nirvana.

There’s no punk rock breeding ground quite like high school. And from Clontarf High just north of Brisbane comes Autumn Heartache. This is not a punk band in that clichéd leather-jacket and mow hawk sense. Rather this is a rock band inspired by the attitude of bands that want to follow their own path, and have a great time in the process. Close mates, the band was born out a love for bands like The Living End, Green Day, The Used, The Getaway Plan, and Blink 182.

When you live in a boring, run down, Brisbane suburb there’s a only really couple of ways you can kill time. You can (A) steal cars, (B) sell dope or (c) play music... and considering that none of the band members know how to hotwire a car they chose option (C). TRASHQUEEN began bashing out loud distorted hard rock in late 2009 when Guitarist Sean Jackson and Drummer Wayne Jackson decided to recruit Nik Shulz to fill the position of bassist. Since then the band has been playing charismatic live shows around Brisbane and recorded a couple of tunes that just maybe worth checkin’ out.

Calais has that special ‘something’ - intangible, yet blatantly obvious at the same time. If you’ve seen them play live, you’ll know what we’re talking about. If you need convincing, then consider this. When Calais won Brisbane’s Rock School Challenge this year, they had only been playing together for just over a month. Six weeks to be exact. People who have heard their songs describe the band as a cross between the Kings of Leon and U2, but the band’s inspiration comes from spectrum of styles and ages, including Muse, Led Zeppelin and Karnivool to name a few. The band is planning to release new tracks later this year.

Formerly known as 52 Flicks, Brisbane four-piece
Flicks have come a long way since forming in 2007 having played to thousands touring with Short Stack through North Queensland earlier in the year, signing a record label with Spitfire Music (home to COG) and now the release of their new single ‘Hayley’ – an ode to Paramore lead singer, Hayley Williams. Hayley was produced by Todd Morse (H20, The Offspring, Juliette Lewis) and Grant Wallis (Aneiki – Please to Meet You) chimed in with some string arrangements and the song began to take form. It was recorded at the Grove Studios in Sydney and was handed personally by the band to Hayley’s boyfriend Chad Gilbert of New Found Glory (who took it with no jealousy or animosity).

Since emerging onto the local Brisbane scene in late 2008, Burning Brooklyn have come a long way having released their debut EP ‘Where The Heart Stops’ in 2009 and more recently their current single ‘All About You’ earlier this year. The four-piece have also supported the likes of Haste The Day, Blessed By A Broken Heart and Fear Before.

When former Avalon Drive front man Damion Page paired up with guitarist Kevin Leggett in 2009, the Brisbane duo had no idea that this was the journey they would in fact take. Coming from varied music backgrounds, the pair experimented with different sounds and acoustics to create the original and organic sound of Words Versing Verses. Releasing their debut EP in May 2010, the band didn’t foresee their first ever live show to be a sell out – but that’s exactly what they did. Their live performance brings to life the soul of personal lyrics, and the intimacy of the bands acoustic core sound.

Formed in 2007, and combining former members of prolific bands Dr Octopus and The Vagrants, The City Shake Up has already become a Gold Coast icon. With over 25 years of stage experience between them, these 5 lads have set about making a name for themselves on a local and international scale. Having recorded their EP “Ticket to Pripyat’ in 2008, the boys have started work on a full length album, which is set to take the world by storm. Citing such rock, alternative and punk influences as Muse, Rise Against and the Foo Fighters, TheCityShakeUp have created their own unique heart pumping sound, combining mighty guitar riffs, heart-pounding rhythm and roaring, riotous vocals.

The twelve months from August 2008 were huge for Melbourne band Starting Sunday, having supported Bon Jovi on his Melbourne concert, became the first unsigned band to perform on an episode of Network Ten's 'Neighbours' in August [2008] which was broadcast throughout Australia and the UK, had sync placements throughout Channel 7's Beijing Olympic Games coverage [2008] and on Network Ten's Rove whilst ending the year with a special appearance at the 2008 ARIA Music Awards. Having supported bands including Behind Crimson Eyes (AUS), The Butterfly Effect (AUS), Dopamine (UK); a support slot on the Taste Of Chaos tour playing alongside bands including The Used, Rise Against, Aiden and the Gallows, and more recently joining Faker on the JD Set Tour in 2009, Starting Sunday are soon to unleash an EP twelve months in the making.

Brisbane four-piece Cold and Need formed in 2009 and have just finished recording tracks for their debut EP release which is expected to be released later this year.


The Monster Goes Rawrr has achieved a sound that takes electro-based rock to a new level. The quintet combines a diverse range of genres including powerpop, rock, dance, trance and electronica, while undeniably maintaining a pop-rock sensibility. With an energetic and professional stage show, The Monster Goes Rawrr is a band that catches both the eyes and ears of audiences. Since the release of their first single in July 2009, the band has accumulated over 500,000 plays and over 200,000 downloads on MySpace and Purevolume whilst also sharing the stage with international touring acts such as 3OH!3 (USA) and The Secret Handshake (USA), as well as numerous domestic acts including Closure In Moscow (Melb), Amy Meredith (Syd), Tonight Alive (Syd) and Heroes For Hire (Syd).

Extracting influences from artists such as Foo Fighters, Anberlin, Story of the Year, Saosin, Drawcard inject their own experiences and talent into a unique style which has been described as “new rock with all the sensibilities of catchy pop, but edgy enough to hold your interest”. To date the band secured a spot on the Taste of Chaos Tour, were involved in the FuelTV (AUS) “Mountain Dew Battle for Supremacy II” skate program, and were a featured band on Australia’s nationwide TripleM Radio with interviews and track rotation for the title track “Modern Rivalry”.

Having much success in Australia, they’ve also had a taste of it the States as well; with songs featured on MTV’s Real World-Road Rules Challenge, FuelTV (Fox Sports) and on Skratch Magazine’s Warped Tour compilation. On the road, DrawCard has paired up with Parkway Drive, Taking Back Sunday, Underoath, Thursday and Senses Fail.
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Posted By: David Jobling - Category: Live, Brisbane Scene, News, Qstage
   


PEATS RIDGE 2010!

August 27th 2010 02:08
Proudly presented by triple j, The Drum Media, Faster Louder & Eco Voice
PEATS RIDGE 2010!

What happens when you put thousands of smiling people in a beautiful valley, over a three day period, showcase music, arts and culture across 9 stages and bring in the New Year…
Peats Ridge Music Festival


PEATS RIDGE!

Peats Ridge is a festival that has been described as a ‘sensual explosion’ (novafm.com.au), ‘colourful and memorable’ (pagesonline.it) and a ‘musical circus’ (Reverb). Last year saw 10,000 patrons, filled with enthusiasm and excitement, ascend on the valley and with glowing reviews, it was a shining success enjoyed by all.

The largest camping festival over the New Year period, in NSW, Peats Ridge is a Sustainable Arts & Music Festival. It has proven to be a fresh, creative and innovative melting pot, where people can celebrate in a friendly and relaxed festival environment.

With a music line up that boasts pieces of many musical pies, for everyone to savour. The Festival always delights punters with big names acts and also surprises, with up and coming musical talent to be discovered.

The 2010 instalment promises to be everything brilliant that has been offered in previous years and much more… So without further ado, let’s unleash the first of the musical magic that will grace some of the 9 stages at Peats Ridge 2010.

Angus & Julia Stone * Trentemøller (Live) [DENMARK] * Built to Spill [USA] * Freestylers [UK] * Kate Miller-Heidke * Shout Out Louds [SWEDEN] * The Dynamites Featuring Charles Walker [USA] * Born Ruffians [CAN] * Lightspeed Champion [UK] * PVT * Decoder Ring * The Audreys * The Break * Washington * Cloud Control * Jonathan Boulet * Freq Nasty [UK] * Space Invadas * The Jezabels * Dan Mangan [CAN] * Thundamentals * Steve Poltz [USA] * Joel Plaskett [CAN] * King Tide * Horrorshow * Watussi * Parades * Big Scary * Spit Syndicate * Belles Will Ring * Kim Churchill * THE Chemist * The Gin Club * Tom Fun Orchestra [CAN] * Carmen Townsend [CAN] * Matt Barber [CAN] * Chase the Sun * The Lovetones * THE E.L.F * The Seabellies * McCartney * The Delta Riggs * Holly Martin * Spooky Land * Alter Ego Mania * Dereb the Ambassador [ETHIOPIA/AUD] * The Strides * plus the triple j Unearthed Winner and loads more artists to be announced. Stay tuned…

If you are looking to feel the bass, Peats Ridge are very happy to announce the ‘DUB SHACK’ is returning. The stage that became known as ‘the dub monster’ in 2009, is set to pound yet again. Our three favourite Sydney crews Foreigndub, VOID and Western Synthetics, will be returning to bring you the best that the dubstep, drum n bass and dub scenes have to offer.

Peats Ridge, is held in the beautiful Glenworth Valley an hour north of Sydney. A three day event, it has become a major part of the annual calendar.

Peats Ridge has proven to be world class in entertainment, experience and education. Recognised as one of the world’s leading sustainable events, the Festival is a winner of numerous national and international awards for environmental sustainability. A family friendly festival, Peats Ridge hosts an array of amazing music, arts performance and exhibitions, a focus on sustainable practices and education, a dedicated children’s festival, workshops, markets and much more.

*PEATS RIDGE 2010 – DEC 29 TO JAN 1 – GLENWORTH VALLEY, NSW*
Tickets will be available on August 19th

3 DAY SEASON PASSES: FAMILY SEASON PASSES: DAY PASSES:
ADULT (18 ) $295 bf 1 ADULT, 1 YOUTH $390 bf ADULT $125 bf
CHILD (6-12) $25 bf 2 ADULT, 1 YOUTH $670 bf YOUTH $40 bf
UNDER 6 FREE EXTRA YOUTH (13-17) $80 bf CHILD $10 bf


As Peats Ridge is an Over 18 event, Youth tickets can only be purchased as part of a Family Pass. Children and Youth are permitted entry to the festival only if accompanied by a guardian over 25.

All Season Passes include camping and festival entry from 29th December 2010 - 1st January 2011.

Tickets will be available through our ticketing partners Oztix. Only Mastercard and Visa are accepted


FOR FURTHER INFORMATION & TICKET SALES CLICK HERE:
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A year off for Homebake Festival

August 25th 2010 05:46
Homebake Music, Film & Arts Festival HQ have made the following announcement:

Whilst this past weekend witnessed a state of political confusion, we concur that we've certainly had our fair share as well. That said and with such a plethora of festival announcements of late, we've decided to go against the grain and as such - after much deliberation (& some procrastination) - we here at Homebake festival HQ have decided to take a break and postpone Homebake Music, Film & Arts Festival for this year only, 2010.

As we've not been able to have the 'planets align' to a standard we feel appropriate to the long standing reputation of Australia's largest 'locals only' event, we'd rather focus on a positive future and are instead planning for a unique return version of Homebake Festival to take place during the first week of December 2011.

http://www.homebake.com
The intention is for Homebake to return proverbially 'bigger and better' than ever, incorporating even more facets of the antipodean arts industries & with special incentives in place for the few generations of thousands of loyal Homebake devotees whom have attended over the past 15 years.

We ask you to stay tuned for now as we commence preparations for what will be the 16th Edition – Homebake Music, Film & Arts Festival, 2011.

Huge thanks for your patience & we're looking forward to have you all join us to celebrate in 2011.

Homebake Festival HQ
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Posted By: David Jobling - Category: Australia National , News
   


ON THE PULSE FESTIVAL

August 24th 2010 01:50
On The Pulse

Saturday, October 23, 2010

FORTITUDE VALLEY PCYC & THE HIVE

All Ages and Drug & Alcohol Free

Doors 4.30pm
October brings new life to Brisbane's music scene with the birth of On The Pulse Festival featuring 15 punk, rock and pop artists performing across two stages on Saturday October 23 (2010) at the Fortitude Valley PCYC and The Hive.

Built entirely around the most promising unsigned or independently signed artists this country has to offer, On The Pulse promises an all age - drug and alcohol free event.

The Fortitude Valley PCYC and the Hive - both located in the hub of the Brisbane music precinct will play host to the On The Pulse Festival. The venue is already well aligned with the youth of Brisbane through its many musical, sporting and activities already staged at the facility.

Forming the 2010 line-up is: Finabah, Flicks, The Monstor Goes Rawrr, Burning Brooklyn, Words Versing Verses, Drawcard, Autumn Heartache, The City Shake Up, Cold and Need, Trashqueen, Bixby Canyon, Calais, Starting Sunday and more to be announced!

On The Pulse has been created not only to create a quality festival platform for our younger and growing artists, but also to present an exciting opportunity for young music fans to be introduced to new music and exciting new bands
- Festival promoter Marc Mancini.


SATURDAY, OCTOBER 23, 2010: FORTITUDE VALLEY PCYC & THE HIVE
All Ages and Drug & Alcohol Free

Tickets $25 and on sale now through

Oztix.com.au or phone 1300 762 545 or from Rockinghorse Records, Kill The Music & Sunflower Music

ABOUT THE BANDS

Finabah started out like many bands do - four kids bored with small-town summers, bashing out power chords in a backyard shed. Six years and over 500 shows later, Finabah have become one of the most recognised pop rock acts in Queensland rapidly building national profile.

Their latest EP release, ‘Sugarcoat’, has been a hit with old fans, new fans and industry alike. The most recent single “Everyone Jump (When They Tell You How High)” became a massive success with a #9 debut on the AIR Charts and #3 in the AIR Airplay Chart. The track was the #2 most added track to radio in Australia the first week of release and received high rotation airplay on NOVA, Triple M and B105 including a debut on the B105 HOT30 countdown at #21. No mean feat for a truly independent artist! Having played alongside acts from The Used and Rise Against, to Wolfmother and Spiderbait and more recently playing to over 30,000 people for the 2010 'Rock the Schools’ tour, these four musicians have come a long way since their humble beginnings.

Responding to a classified in Rave Magazine young singer/songwriter, Jake Wood completed the line-up that has become Bixby Canyon. After auditioning several vocalists Mitch Johnson (drums), John Jurkov (bass) and Brodie Pearce (guitar) had finally found the last piece of their puzzle, a vocalist with raw emotion and song writing abilities. After thumping away in a backyard shed, in the wilds of Spring Mountain, for the past six months this youthful four piece have melded their individual and shared influences into a unique blend of Indie Rock that tips its hat to Brand New, Jimmy Eat World, Manchester Orchestra, Green Day, and Nirvana.

There’s no punk rock breeding ground quite like high school. And from Clontarf High just north of Brisbane comes Autumn Heartache. This is not a punk band in that clichéd leather-jacket and mow hawk sense. Rather this is a rock band inspired by the attitude of bands that want to follow their own path, and have a great time in the process. Close mates, the band was born out a love for bands like The Living End, Green Day, The Used, The Getaway Plan, and Blink 182.

When you live in a boring, run down, Brisbane suburb there’s a only really couple of ways you can kill time. You can (A) steal cars, (B) sell dope or (c) play music... and considering that none of the band members know how to hotwire a car they chose option (C). TRASHQUEEN began bashing out loud distorted hard rock in late 2009 when Guitarist Sean Jackson and Drummer Wayne Jackson decided to recruit Nik Shulz to fill the position of bassist. Since then the band has been playing charismatic live shows around Brisbane and recorded a couple of tunes that just maybe worth checkin’ out.

Calais has that special ‘something’ - intangible, yet blatantly obvious at the same time. If you’ve seen them play live, you’ll know what we’re talking about. If you need convincing, then consider this. When Calais won Brisbane’s Rock School Challenge this year, they had only been playing together for just over a month. Six weeks to be exact. People who have heard their songs describe the band as a cross between the Kings of Leon and U2, but the band’s inspiration comes from spectrum of styles and ages, including Muse, Led Zeppelin and Karnivool to name a few. The band is planning to release new tracks later this year.

Formerly known as 52 Flicks, Brisbane four-piece
Flicks have come a long way since forming in 2007 having played to thousands touring with Short Stack through North Queensland earlier in the year, signing a record label with Spitfire Music (home to COG) and now the release of their new single ‘Hayley’ – an ode to Paramore lead singer, Hayley Williams. Hayley was produced by Todd Morse (H20, The Offspring, Juliette Lewis) and Grant Wallis (Aneiki – Please to Meet You) chimed in with some string arrangements and the song began to take form. It was recorded at the Grove Studios in Sydney and was handed personally by the band to Hayley’s boyfriend Chad Gilbert of New Found Glory (who took it with no jealousy or animosity).

Since emerging onto the local Brisbane scene in late 2008, Burning Brooklyn have come a long way having released their debut EP ‘Where The Heart Stops’ in 2009 and more recently their current single ‘All About You’ earlier this year. The four-piece have also supported the likes of Haste The Day, Blessed By A Broken Heart and Fear Before.

When former Avalon Drive front man Damion Page paired up with guitarist Kevin Leggett in 2009, the Brisbane duo had no idea that this was the journey they would in fact take. Coming from varied music backgrounds, the pair experimented with different sounds and acoustics to create the original and organic sound of Words Versing Verses. Releasing their debut EP in May 2010, the band didn’t foresee their first ever live show to be a sell out – but that’s exactly what they did. Their live performance brings to life the soul of personal lyrics, and the intimacy of the bands acoustic core sound.

Formed in 2007, and combining former members of prolific bands Dr Octopus and The Vagrants, The City Shake Up has already become a Gold Coast icon. With over 25 years of stage experience between them, these 5 lads have set about making a name for themselves on a local and international scale. Having recorded their EP “Ticket to Pripyat’ in 2008, the boys have started work on a full length album, which is set to take the world by storm. Citing such rock, alternative and punk influences as Muse, Rise Against and the Foo Fighters, TheCityShakeUp have created their own unique heart pumping sound, combining mighty guitar riffs, heart-pounding rhythm and roaring, riotous vocals.

The twelve months from August 2008 were huge for Melbourne band Starting Sunday, having supported Bon Jovi on his Melbourne concert, became the first unsigned band to perform on an episode of Network Ten's 'Neighbours' in August [2008] which was broadcast throughout Australia and the UK, had sync placements throughout Channel 7's Beijing Olympic Games coverage [2008] and on Network Ten's Rove whilst ending the year with a special appearance at the 2008 ARIA Music Awards. Having supported bands including Behind Crimson Eyes (AUS), The Butterfly Effect (AUS), Dopamine (UK); a support slot on the Taste Of Chaos tour playing alongside bands including The Used, Rise Against, Aiden and the Gallows, and more recently joining Faker on the JD Set Tour in 2009, Starting Sunday are soon to unleash an EP twelve months in the making.

Brisbane four-piece Cold and Need formed in 2009 and have just finished recording tracks for their debut EP release which is expected to be released later this year.


The Monster Goes Rawrr has achieved a sound that takes electro-based rock to a new level. The quintet combines a diverse range of genres including powerpop, rock, dance, trance and electronica, while undeniably maintaining a pop-rock sensibility. With an energetic and professional stage show, The Monster Goes Rawrr is a band that catches both the eyes and ears of audiences. Since the release of their first single in July 2009, the band has accumulated over 500,000 plays and over 200,000 downloads on MySpace and Purevolume whilst also sharing the stage with international touring acts such as 3OH!3 (USA) and The Secret Handshake (USA), as well as numerous domestic acts including Closure In Moscow (Melb), Amy Meredith (Syd), Tonight Alive (Syd) and Heroes For Hire (Syd).

Extracting influences from artists such as Foo Fighters, Anberlin, Story of the Year, Saosin, Drawcard inject their own experiences and talent into a unique style which has been described as “new rock with all the sensibilities of catchy pop, but edgy enough to hold your interest”. To date the band secured a spot on the Taste of Chaos Tour, were involved in the FuelTV (AUS) “Mountain Dew Battle for Supremacy II” skate program, and were a featured band on Australia’s nationwide TripleM Radio with interviews and track rotation for the title track “Modern Rivalry”.

Having much success in Australia, they’ve also had a taste of it the States as well; with songs featured on MTV’s Real World-Road Rules Challenge, FuelTV (Fox Sports) and on Skratch Magazine’s Warped Tour compilation. On the road, DrawCard has paired up with Parkway Drive, Taking Back Sunday, Underoath, Thursday and Senses Fail.
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Quan Yeomans REGURGITATOR Interview

August 23rd 2010 02:52
Regurgitator are Australia’s most renowned and successful experimental art-rockers, who have achieved triple-platinum status in Australia - an astonishing feat for such an uncompromising band who never shy away from the unusual, the untried, or indeed any genre that attracts their creative sensibility.


Q and A with Quan Yeomans from REGURGITATOR
David Jobling


Album production was initially geared to provide marketing impetus for the sale of vinyl records. More and more young people are not listening to music this way. They download music for free and they pick and choose tracks and create playlists or rely on blogs to automatic generate such playlists. - Quan, Regurgitator


REGURGITATOR




David: How did you start out?

Quan Yeomans: We started out as a hobby band, a side project to our other more focused bands. Things just naturally grew out of hand.

David: Are you consciously giving any, message through your work to people listening?


Quan Yeomans: I am consciously aware of what I produce but not consciously aware of how an audience might perceive it.

David: What goals do you have with your music over the next decade?


Quan Yeomans: To survive and perhaps rediscover that naive creative spirit that is ever more elusive with extended experience in the same field.


David: You are approaching your music and the distribution of it in a cutting edge way - can you explain a bit behind the thinking and inspiration to do that?


Quan Yeomans: It's been a reaction to a multitude of radical changes (from our perspective) in the industry over the last few years. Technological transitions are notorious for bewildering a whole cultural set who have grown up with a certain industry methodology for most of their former careers. We definitely fall into that category and are beginning to accept that the new paradigm is in a state of flux and can only be respected and adapted to.

This is why we are beginning to naturally shed some of the old habits of a 'band'.

Album production was initially geared to provide marketing impetus for the sale of vinyl records. More and more young people are not listening to music this way. They download music for free and they pick and choose tracks and create playlists or rely on blogs to automatic generate such playlists.

This actually suits a home recording/producing musician more because it is more natural to focus and create one track at a time, release it then move on to the next one. To be truly independent of the record industry you should forget the old release mentality and match the current listener mentality.

This is what we will be doing in the future. We like doing lots of different things as well so this will creative attitude will apply across any of the disciplines we feel like playing with.

David: What do you get out of a tour?


Quan Yeomans: I like to scream. Because I am a relatively quiet person at home.

David: Do you draw on any particular traditions as you present your work, such as art movements or music genres?


Quan Yeomans: I think over the years as a practising artist you can become very 'genre-conscious', particularly if you have wide interests.


We have diverse influences ranging from comic art, art brut to documentary films, performance art, noise bands, ambient artists to old school punk, hiphop, nowave, nu wave. Pretty much everything that catches your eye really. For me inspiration comes when I hear or see something i like and simultaneously hear or see how I can twist it a little and make my own.


David: How far can you book yourself up for touring and gigging without it getting scary? Or is it always scary? Or never?


Quan Yeomans: It's only scary if it's something we've never tried before. But if we get overwhelmed in terms of overextending ourselves we just put our heads down and do the work.

David: Many thanks for answering a few questions.





Faster Louder presents
REGURGITATOR
plus RAT VS POSSUM (expect WA shows)
and LANEOUS & THE FAMILY YAH (except TAS & WA shows)
with co-headliner DJ KRUSH from Japan (Brisbane show only)

WED 15 SEPT Hobart REPUBLIC BAR
plus RAT VS POSSUM

Tickets from Ruffcut Records - 6234 8600, Moshtix and The Republic Bar - 6234 6954, and regurgitator.oztix.com.au


THUR 16 SEPT Adelaide THE GOV
plus RAT VS POSSUM and LANEOUS & THE FAMILY YAH

Tickets from www.moshtix.com.au (ph 1300 438 849) & Moshtix outlets, www.venuetix.com.au (ph 08 8225 8888) & Venue*Tix outlets & at the venue 11am-9pm Mon-Sat, and regurgitator.oztix.com.au


FRI 17 SEPT Melbourne THE HI-FI
plus RAT VS POSSUM and LANEOUS & THE FAMILY YAH

Tickets online from www.thehifi.com.au Phone Tix 1300THEHIFI (1300 843 4434) & Polyester Records - Fitzroy & City, and regurgitator.oztix.com.au


SAT 18 SEPT Brisbane THE TIVOLI
with DJ KRUSH (from Japan) plus LANEOUS & THE FAMILY YAH and RAT VS POSSUM

Tickets from Ticketek 132 849, www.ticketek.com.au, Rocking Horse Records (07) 3229 5360 and regurgitator.oztix.com.au Doors at 7.00pm


SUN 19 SEPT Byron GREAT NORTHERN
plus RAT VS POSSUM and LANEOUS & THE FAMILY YAH

Tickets from venue, www.oztix.com.au (ph 1300 762 545), oztix outlets, and regurgitator.oztix.com.au


WED 22 SEPT Katoomba HOTEL GEARIN
plus RAT VS POSSUM

Tickets from www.oztix.com.au (ph 1300 762 545), www.moshtix.com.au (ph 1300 438 849), the venue, all Oztix & Moshtix outlets, and regurgitator.oztix.com.au


THUR 23 SEPT Canberra THE MARAM
plus RAT VS POSSUM and LANEOUS & THE FAMILY YAH

Tickets from www.moshtix.com.au (ph 1300 438 849), Moshtix outlets, and regurgitator.oztix.com.au


FRI 24 SEPT Wgong UNI BAR
plus RAT VS POSSUM and LANEOUS & THE FAMILY YAH

Tickets from Redback Music, the venue, Oztix, www.bigtix.com.au, and regurgitator.oztix.com.au


SAT 25 SEPT Sydney MANNING BAR
plus RAT VS POSSUM and LANEOUS & THE FAMILY YAH

Tickets: www.manningbar.com (ph 1300 762 545), www.moshtix.com.au (ph 1300 438 849), the venue, all Oztix & Moshtix outlets, and regurgitator.oztix.com.au
An official selection of Sydney Fringe 2010


SUN 26 SEPT Karratha WA WALKINGTON THEATRE
Ph: (08) 9159 6859 for ticketing.


MON 27 SEPT Perth AMPLIFIER BAR
plus BOYS BOYS BOYS!

Tickets from Bocs, Moshtix, 78’s, Mills, and regurgitator.oztix.com.au



RAT VS POSSUM

...play experimental pop music. Layered and looped, billion-part harmonies, tom-heavy percussion, drum samplers, jangly guitars, casio keyboards and loop pedal. They released their debut ‘Daughter of Sunshine’ in April through Sensory Projects. A collection of psychedelic, faux-tribal pop songs written for the Summer, recorded during the Winter of 2009.‘Daughter of Sunshine’ is an album of multi-coloured ecstatical indulgences, chiming guitars, Cash Converters’ keyboards and a bandwidth of beats that documents the band’s first year of music making; capturing their evolution from a glitter-obsessed two-piece, playing to handfuls of barely-amused friends in living rooms, to the current five-piece, drum-heavy incarnation of the band packing venues ll over the place amid performances with Passion Pit, Jonathan Boulet and the like...

"...joyously experimental, infectious and unique."- Tom Hawking, Inpress

"Rat Vs Possum seized the stage quite unlike any act we’ve seen at the seasonal Triple R showcases and offered themselves up as one of the acts to catch in 2010.”– Sam McDougall, Triple R

“This is one tribe I am more than happy to be cannibalised by.”Wilfred Brandt, TwoThousand

"…absolutely inspired neo-tribal bliss and shambolic, shouty freak outs.”- Lawson Fletcher, Mess and Noise

"Dan Kelly wished he was 21 and living on acid and baked beans again at the Rat Vs Possum gig."- Dan Kelly's rad facebook status
www.myspace.com/ratvspossum


LANEOUS & THE FAMILY YAH

Laneous & The Family Yah make Grunty Indie Soul and Croon Punk for your earholes. Together with the all singing, all dancing Bird Fire Choir, Laneous navigates his band through abstract hip hop, punk and old soul. Alternatively cheerful, smooth and demented he cuts through the Family Yah’s at times fiercely syncopated, occasionally bombast and otherwise wobbly grooves with his trademark falsetto croon and charming hip hop murmurs. Bubblin’ up out of the artisan hot bed that is Brisbane’s West End, L&TFY are amongst the hardest working on the East Coast Touring Circuit. Their 2009 Debut LP “St Ill Regal” pushed the band onto the National stage with Triple J spinning Searing Life on High Rotation, a QSong Award and FBI rotation for Bubblegum, a triple j Unearthed ‘Parklife’ Win and critical acclaim around the country. This saw L&TFY spend the best part of a year on the road. Still though they found time to record and release 3 Limited Edition EPs – all now sold out and ascended to the vaults. Having finely tuned a high energy and dynamic live show the old fashioned way – through grueling trips up and down the coast, crashing on floors and fighting for DJ duties in the tour bus, their Sophomore Album “Found Things” is Laneous & The Family Yah at their most direct – a fight between the animal and the evolved, an uncompromised and highly joyous offering of soul, punk and hip hop. It’s release in September 2010 (through Bird Fire Records) cements L&TFY as amongst one of the most prolific acts in Australia.
www.myspace.com/lachlaneous


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Posted By: David Jobling - Category: News
   


The Choir of Hope and Inspiration and The Tutti Choir

August 19th 2010 23:18
HAPPY TOGETHER!

The CHOIR of HARD KNOCKS and the TUTTI CHOIR come together
in ADELAIDE FOR THE VERY FIRST TIME
with Maggie Beer as MC




Adelaide Town Hall
Sunday 19 September at 7.30pm

The stars of the smash hit ABC Documentary, ARIA, Logie and Helpmann Award winning Choir of Hard Knocks, now known as the Choir of Hope and Inspiration, along with their Founding Music Director Dr Jonathon Welch AM, will come to Adelaide for the first time to perform with our very own Tutti Choir, founded by South Australia’s 2007 Local Hero, Pat Rix and led by Tutti’s Resident Conductor, Jonathan Bligh.

"It has been our dream since we first started in 2006 to come to Adelaide, share our music and show the choir members how beautiful your city is. To be sharing the stage with Pat Rix and Tutti makes the trip even more special for us," said Dr Welch.

"I first met Pat and heard Tutti sing in 2008 on a "Tour of Honour" for the National Australia Day Council in my role as Australian of the Year, Local Hero 2008, and it was love at first song for me! We are such kindred spirits Pat and I, and the amazing work she has done with Tutti over the past 13 years has been an inspiration to me also," Dr Welch said.

"It has been an amazing journey for the Choir of Hard Knocks over the past four years, and I know that when we come together with Tutti for the first time, it is going to be a magic meeting of two very special choirs which have brought thousands of people a sense of hope and inspiration," said Dr Welch.

“The Tutti Choir welcomes this fabulous opportunity to perform with Jonathon Welch and the Choir of Hope and Inspiration at the Adelaide Town Hall. We truly are kindred spirits and when like minded artists get together – magic does happen! This will be a dazzling musical celebration by two trail-blazing Australian choirs and we are looking forward to it immensely,” said Ms Rix.




The Choir of Hope and Inspiration and The Tutti Choir
Adelaide Town Hall, King William Street, Adelaide
Sunday 19 September, 2010 at 7.30pm
Bookings through BASS 131 246
$30/$20 concession
Companion Card accepted
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Posted By: David Jobling - Category: Adelaide Scene, News, Qstage
   


CAMP ROCK 2: THE FINAL JAM

August 19th 2010 05:55
IT’S ON! DEMI LOVATO AND JONAS BROTHERS REUNITE FOR CAMP ROCK 2

SOUNDTRACK TO DISNEY CHANNEL ORIGINAL MOVIE

CAMP ROCK 2: THE FINAL JAM



JONAS BROTHERS

AVAILABLE SEPTEMBER 17.

DEBUTS 3 ON BILLBOARD CHARTS

Demi Lovato and the multi-platinum-selling artists, the Jonas Brothers are featured on the soundtrack of the summer, Camp Rock 2: The Final Jam, set to rock into stores and online retailers on Friday September 17. The album features 15-all new songs from the movie, including three bonus songs (“Different Summers,” “Walkin’ In My Shoes” and “It’s Not Too Late”). Camp Rock 2: The Final Jam premieres Saturday October 2 on Disney Channel.

After the tremendous success of the original Camp Rock in 2008, the blockbuster Disney Channel Original Movie catapulted Demi Lovato into a global star and pumped up the volume on the hugely popular Jonas Brothers. In addition, the Camp Rock soundtrack sold 2.5 million CDs worldwide, spent a remarkable 10 weeks in the Top 10 on the US Billboard 200 Album Chart, and peaked at #13 on the ARIA album chart in the same year.

Camp Rock 2: The Final Jam is a full out rock 'n roll musical that celebrates music, dance and the freedom of summer and reminds viewers to 'enjoy the journey.' This summer of fun opens on a high-pitched Camp Rock reunion. All the Camp Rockers have returned, eager to tune up and rock out but a glistening new camp across the lake, Camp Star, poaches Camp Rock's counsellors and may put Camp Rock out of business. Mitchie Torres (played by Demi Lovato) steps it up as she challenges the egocentric Camp Star to an end-of-summer performance duel - it’s on!

Nick Jonas commented, “In the first movie, music was part of it. This one - music tells the story.” Demi Lovato added, “In this movie there are several different kinds of music - and music is what drives ‘Camp Rock 2’.”

The accomplished songwriters who contributed to the full out musical film and soundtrack include: Kara DioGuardi, Mitch Allan, Dapo Torimiro, Antonina Armato, Tim James, Jamie Houston, Adam Watts and Andy Dodd.
The following is a complete track listing from Camp Rock 2: The Final Jam:

1. Brand New DayPerformed by: Demi Lovato

2. Fire Performed by: Matthew “Mdot” Finley

3. Can’t Back Down Performed by: Demi Lovato, Alyson Stoner and Anna Maria Perez de Taglé

4. It’s On Performed by: Demi Lovato, Matthew “Mdot” Finley, Meaghan Martin, Jordan Francis, Roshon Fegan and Alyson Stoner

5. Wouldn't Change a Thing Performed by: Demi Lovato and Joe Jonas

6. Heart and Soul Performed by: Joe Jonas, Kevin Jonas and Nick Jonas

7. You're My Favorite Song Performed by: Demi Lovato and Joe Jonas

8. Introducing Me Performed by: Nick Jonas

9. Tear It Down Performed by: Matthew “Mdot” Finley and Meaghan Martin

10. What We Came Here For Performed by: Demi Lovato, Joe Jonas, Nick Jonas, Alyson Stoner and Anna Maria Perez de Taglé

11. This Is Our Song Performed by: Demi Lovato, Joe Jonas, Nick Jonas and Alyson Stoner

12. Different Summers (BONUS) Performed by: Demi Lovato

13. Walkin’ In My Shoes (BONUS) Performed by: Matthew “Mdot” Finley and Meaghan Martin

14. It's Not Too Late (BONUS) Performed by: Demi Lovato

15. Rock Hard or Go Home Performed by: Iron Weasel

CAMP ROCK 2: THE FINAL JAM SOUNDTRACK – OUT SEPTEMBER 17

CAMP ROCK 2 THE FINAL JAM PREMIERES ON DISNEY CHANNEL - OCTOBER 2


CAMP ROCK 2 THE FINAL JAM: EXTENDED EDITION - AVAILABLE ON DISNEY DVD & BLU-RAY - OCTOBER 20
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Posted By: David Jobling - Category: Welcome Release, CD/DVD, News, Qstage
   


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